358 Surprising Information About The Best Wide Angle Lens For The Nikon D750

This time, we’re going to talk about Best Wide Angle Lens For Nikon D750. There is a lot of information about Best Wide Angle Lenses for Nikon, Ranked on the internet, of course. Social media are getting better and better quickly, which makes it easier for us to learn new things.

The Best Lenses for Nikon D750 Users and The Best Lenses for Nikon D750 Users are also linked to information about Wide Angle Lenses for Nikon D750. As for other things that need to be looked up, they are about Nikon D7500 Wide-Angle Lens Recommendations and have something to do with best wide angle lens for nikon d7500.

358 Unexpected Facts About Best Wide Angle Lens For Nikon D750 | Best Lens for Nikon D750 in 2020 – Ultimate Guide

• The Otus 1.4/55 wins in most other lens metric categories, too, offering less Distortion, Vignetting, and Chromatic Aberration. The Otus 1.4/55 isn’t a small and compact prime lens like the Nikon competition, however, and obviously packs a lot of glass to facilitate its razor-sharp results, giving it technically the worst Transmission score, but there’s barely anything in it. - Source: Internet
• Yes. Any lens with a focal length of 35mm or less is considered a wide angle lens. In fact, 24mm can even be considered an ultra-wide angle lens. - Source: Internet
• From its sharp prime photos to the fast f/1.8 aperture, the Nikon 85mm f/1.8G AF-S FX NIKKOR lens is, without a doubt, one of the best lenses for the Nikon D750 camera. This high-quality lens brims with can’t-beat features. For starters, it’s built to deliver sharp, focused images, thanks to its speedy auto-focus functionality that works seamlessly with the Nikon D750. - Source: Internet
• Nikon 24mm f/1.4G is a go-to choice for proficient photographers who require top-grade optics of a fixed wide-angle lens. They will appreciate a large aperture of f/1.4 for shooting in poor lighting, as well as shallow depth of field to make the subjects isolated from the background. - Source: Internet
• At the end of the day, Sigma have done and excellent job with the Sigma 10-20mm f/3.5 and it is easy to see why the lens has such an excellent reputation amongst the community that just keeps on getting better and better with each month that passes. It is rare for a lens to be loved by both the photography and the videography community as much as the Sigma 10-20mm f/3.5 due to it being such a flexible little wide angle lens that will work well with your Nikon d750. - Source: Internet
• If you are looking for a Macro lens for Nikon D750. Below are top choices for you. From the list, the best Macro lens for Nikon D750 is from Zeiss: The Zeiss Makro Planar T 100mm f/2. The Nikon 105mm f/.8G Macro lens is well known lens, also one of the best choice for Nikon D750. - Source: Internet
• The Sigma 120-300mm f/2.8 offers the same premium features as it does on its other lenses. These include fast Auto-Focus at any focal length, sharpness and great build quality. - Source: Internet
• Carry only one of these 50 or 55mm lenses at a time. The MICRO-Nikkors are sharper, even at infinity, than the f/1.4 and f/1.8 lenses. - Source: Internet
• Nikon 70-200mm f/2.8G ED VR II ($2,097): Highly recommended! Nikon 70-200mm f/2.8G ED VR II is a sharp, versatile, and durable telephoto zoom lens with a fast constant maximum aperture, useful in lowlight situations. A workhorse of a lens used by professionals and amateurs alike it is ideal for photojournalism, sports, and wildlife photography and is effective for almost all telephoto applications, including portraiture. Fast autofocus, superior sharpness and color correction. - Source: Internet
• But it’s also one of those lenses that’s worth trying, but it’s not going to be one that every photographer reaches for regularly. A good way to try it out to see if it’s your cup of tea is by renting it. You can find them at LensProtoGo. - Source: Internet
• If you have the budget, this lens has the potential to take your photography to the next level. It’s an unbelievably capable field lens that can make sure you don’t miss the moment. It’s fast, the stabilization is superb and the autofocus is snappy and accurate. - Source: Internet
• Given the low price of the Nikon D750 and 24-120mm f/4 VR kit, it’s tough to argue against it. The lens alone costs over $1,000, but the kit is only $300 more than the D750 camera body. Aside from marginal low light performance (the lens does have vibration reduction), the 24-120mm f/4 is a solid walk-around and travel lens that you may end up leaving on your camera most of the time. Nikon continues to improve the optics of their zooms and this lens is a great case in point. - Source: Internet
• The Z 14-30mm stands out because it’s the first-ever Nikon lens wider than 16mm that can take a normal screw-in front filter. Older lenses, like the huge 14-24mm f/2.8, had bulbous front elements that were completely unprotectable. - Source: Internet
• What will happen if I put a DX-format lens on my D750? Well, the Nikon D750 is a full-frame camera (FX-format) and putting a DX-format (not full frame) lens on it will result in a cropped image. Some cameras will automatically crop the image for you – and reduce the resolution of the image too. Other cameras and lenses might leave you with a dark vignette around the edges of the photo as the light won’t be hitting that part of the sensor. Full-frame cameras are a lot more costly, so you should try using an FX-format lens to get the best results. - Source: Internet
• As we mentioned above, the lens comes with an 82mm lens filter thread ring and although the threads are not metal, the are high quality plastic meaning that they are easy to use. This allows you to quickly mount or unmount your lens filters without accidentally cross threading the filter to the lens when mounting. This prevents the filter from accidentally getting stuck in place and although this is rare for modern lens filters, it could definitely be a pain with the older filters on the market. - Source: Internet
• This Sigma lens has a Lens barrel feature which is particularly made for its high rigidity that is very important for any lens availability of rigidity that’s gonna help you in your long term use. This lens has all 24-70mm F2.8 lenses from SIGMA provide you the excellent performance you are looking for and it will help in every shoot and in every type of shoot whether it’s news, nature, or any other fields of photography - Source: Internet
• Last but not least, we have a wide-angle prime lens for you. Unlike the AF-S NIKKOR 16-35mm f/4G ED VR we talked about above, the Nikon 20mm f/1.8G ED has a fixed focal length and is much lighter in weight. - Source: Internet
• For the D7500, you want F-mount lenses. While it’s possible to get an adapter to put F-mount lenses on a Z-mount body, the reverse isn’t true (i.e., you can’t use a Z-mount lens on an F-mount body). - Source: Internet
• From the list, It is clear that Nikon’s 14-24mm f/2.8G ED is the best wide-angle zoom lens for Nikon D750. The new Tamron SP 15-30mm f/2.8 Di USD Lens and the new released Sigma 24-35mm f/2 DG HSM Art Lens are another best choice. The new released Sigma 12-24mm f/4 DG HSM Art (Amazon/ B&H/ Adorama/ eBay) is another best zoom for around $1,500. - Source: Internet
• This lens will capture even low-light situations with stunning brilliance. The AF-S NIKKOR 50mm f/1.8G may soon become your new favorite prime lens. - Source: Internet
• The specific age for a Nikon lens depends entirely on your usage and care. But based on answers by Nikon users, we can estimate that the average age would be 10 years. Of course, the more you use the lens and the less effort you put in maintaining it, the shorter it will last. - Source: Internet
• I would like to say in the end, that no matter what lens you’ve got, always make the best of it and you can achieve anything. I know these lenses are kind of expensive but you can always save up. In the meantime, keep looking at reviews to find out the next best thing for you, it’ll be out there for you. Just play with your camera and take it to its potential. - Source: Internet
• In other words, if you decide to update to a newer camera in the future, or upgrade to a higher model such as the D500, these same lenses will remain good options that work on those cameras as well. So long as you stick to a DX-series Nikon DSLR body, you’re good to go. And with an FTZ mount adapter, you can use Nikon F-mount lenses on mirrorless Z-mount cameras as well. - Source: Internet
• For about $500 more than the cost of the Nikon D780 camera body alone, you can get a versatile zoom lens with a useful wide-angle to short-telephoto range and features a constant f/4 maximum aperture for consistent performance throughout the zoom range. With fast and accurate autofocus, compact and versatile 5X zoom with f/4 maximum aperture, as well as VR II image stablization, the AF-S NIKKOR 24-120mm f/4G ED VR lens is a great travel and walk-around lens for the Nikon D780 users and perfect for landscapes, portraits, weddings, or distant objects. The downsides of this lens is the distortion when shooting at the wide and telephoto ends, and the f/4 aperture will be not big enough when in the low light condition. So, if you are in the process of buying the D780 body, we really love the value of the Nikon D780 with 24-120mm lens kit. If you already own the D780 body, there are some other attractive options below. - Source: Internet
• Both achieving a very good DxOMark score of 34 points, the Nikon 300mm f2.8G ED VR II and the Nikon 400mm f2.8G ED VR are joint winners for best long telephoto prime on the Nikon D750. Boasting virtually identical lens metric scores, Nikon’s 300mm and 400mm offer essentially the same image quality, including the maximum Sharpness score of 24P-Mpix on the D750. At all aperture settings up to f/11, both the 300mm and 400mm deliver outstanding edge-to-edge sharpness, and even at the minimum f/22 aperture, it’s still very good. - Source: Internet
• 3rd party lenses are usually poorer built than their big name counterparts, but this isn’t the case with the Tokina 11-16mm f/2.8 AT II. It’s still made of plastic, but the construction is much stronger than the Nikons in this price range. - Source: Internet
• That extra zoom at 300mm comes at a cost, however, and the Sigma S version is not only twice the price of the Tamron version, but is over twice the weight, too, making it a substantial lens to carry around. Photographers after that extra 300mm focal length while still maintaining that “fast” fixed f/2.8 maximum aperture can live with the extra weight, however, and if the cost of the Sigma 120-300mm f/2.8 S means they don’t need to purchase a dedicated 300mm f/2.8 prime lens as well, then it also represents great value for the money. - Source: Internet
• This is the lens that put Nikon on the map for wide-angle landscape photography. It was incredible in 2007 when it was released, and the images it makes are still jaw-dropping today. It’s a legend, and for good reason. - Source: Internet
• Whether it’s portrait photography or wedding films, the Nikon 58mm f/1.4G AF-S NIKKOR lens promises stellar results for Nikon D750 creators. This top-notch lens delivers the usual prime-lens perks: images are crisp, clear, and lifelike, while the fast aperture ensures frames captured at low light are high-resolution with little to no grain. - Source: Internet
• We’d also like to give an honorable mention to the Nikon 70-200mm f4G ED VR telephoto zoom that scored 27 points overall. Using an f/4 maximum aperture that’s a stop slower than f/2.8 on these “fast” telephoto zooms, it fell just outside the criteria for this analysis. Although a stop slower, the f/4 aperture is still fixed through the range, making this lens more usable in low light than a “slow” telephoto zoom. If you can live with that, then you’ll benefit from a cheaper and lighter lens, and the Nikon 70-200mm f4 delivers some excellent results, too. - Source: Internet
• At maximum aperture, the Zeiss 100mm f/2 is almost as sharp as the Nikon and Tamron options at f2.8. All three macro lenses offer homogenous edge-to-edge resolution. - Source: Internet
• 50mm is also the shortest focal length that doesn’t distort perspective in the same way a wide-angle lens does, thus keeping elements in proportion. That makes 50mm a good focal length for portraiture, and particularly for full-length portraiture. This said, for tighter ¾- or ½-length portraiture and particularly for standard headshots, most photographers prefer between 85mm and 135mm on full-frame cameras. - Source: Internet
• This lens had Two FLD Glass Elements. These kinda elements have tons of benefits like FLD glass like it gives you superior optical performance, same as that of fluorite elements, at an affordable price. Also, it has a lightweight construction of big aperture lenses. - Source: Internet
• Now, some discussion about lenses other than of Nikkors. Tamron SP 70-200mm is a great slow telescopic lens for Nikon DX or F Mount cameras. The USD (Ultrasonic Silent Drive) ring-type motor in this lens, along with two high-performance microcomputers, ensures excellent focusing speed and accuracy. The price of this camera is not as high as its performance is. - Source: Internet
• The narrow aperture of this lens is great for landscape shots. You’ll get more detail and a deeper depth of field. Wider apertures tend to be better suited to the shallow depth of field shots. - Source: Internet
• The Nikon 14-24mm f/2.8 G is probably the lens behind many of the best digital era landscape photographs that you’ve seen. Whether you shoot astro-landscapes with the aperture wide open at f/2.8, or you shoot traditional landscapes at f/8-11, you’ll be very impressed by the overall image quality. - Source: Internet
• Another essential element of a lens is its aperture, or its degree of letting in light through the sensor. A higher aperture number like f/4 means that a lens has narrow aperture and little light can enter its sensor. These lenses often perform less well in dark conditions. - Source: Internet
• This lens that offers a good telephoto focal length as well as a bright aperture, thanks to it being a prime lens. With the focal length fixed at 105mm, the lens is able to open wide at f/2.8 — a popular aperture soft spot for those who want an enhanced low-light performance and stunning bokeh quality. - Source: Internet
• This was the first-ever f/1.8 zoom, and it deserves a place on any list of “exotic” wide-angle lenses for APS-C (DX) cameras. 18mm is not quite wide enough for some landscape photographers, but if you shoot panoramas then you can’t beat this lens’ corner-to-corner sharpness at every aperture. - Source: Internet
• This lens is very durable due to its Fluorine Coating on its front element which is water phobic and other fingerprints. It’s an all-new awesome and advanced coating technology to minimize the flare and ghosting. It has a very nice Circular aperture just to gain beautiful effects like circular blur bokeh. It has VC enhanced with shift compensation. - Source: Internet
• Nikon 200-400mm f/4G ED VR II ($6,997): Excellent lens! Superior image quality. This versatile Nikon super-telephoto zoom lens is perfect for sports and wildlife shooting offering constant maximum aperture and VR II Image Stabilization. It can offer superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture settings. - Source: Internet
• This doesn’t mean that you should pass entirely on third-party lenses. For this article we considered many of them and included the Sigma 35mm f/1.4. As long as you do your research and understand the possible shortcomings, they can be a great opportunity to get a lens with good specs at an inexpensive price point. - Source: Internet
• The autofocus could be better for a camera at this price. It’s not very necessary for wide-angle lenses but it’s worth pointing out Slight vignette around the edges when shooting at f/1.8 aperture - Source: Internet
• Offering a magnification factor of x1.0 or 1:1 at their minimum focus setting, macro lenses enable “life-sized” reproduction of tiny subjects. On full-frame sensors it’s akin to making an impression of the subject on the sensor, which is why macro photographers shoot subjects smaller than the 36mm width of a full-frame sensor. Combined with large-resolution sensors, macro photography makes it possible to capture tiny subjects, such as insects, but print them huge for dramatic effect. If you’ve ever seen a 3m wide print of a beetle or bed bug, it’s pretty disconcerting! - Source: Internet
• The 70-300mm lenses are often seen as “kit lenses”. They are effectively cheap lenses that offer a decent focal length, but generally the compromises made in achieving the large focal range mean image quality suffers. Below are top rated 70-300mm lenses for Nikon D750. - Source: Internet
• Excellent Wide-angle Zoom! Designed for photojournalists, wedding and travel photographers, the high-performance 16-35mm lens delivers crisp, clear and non-distorted images, quiet autofocus and good bokeh. It features a fixed f/4 maximum aperture, advanced coatings for optimal lens performance, and VR that gains 2.5 stops of blur-free handheld shooting. This lens is especially well-suited for travel photography, cityscapes, weddings, low-light photography and architecture photography. - Source: Internet
• We test lenses using both real-world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-world testing works best, as each reveals different qualities and characteristics. - Source: Internet
• This Nikon lens provides one of the most useful and popular focal length ranges for both aspiring and seasoned shooters. It offers a shorter zoom range, particularly as it aims to provide a better balance between zoom flexibility and low-light performance. You get a decent zoom range that’s great for most photography styles, including landscapes and portraits, as well as a constant maximum aperture of f/2.8 that brightens dimly-lit shooting conditions and creates stunning out-of-focus blurs. - Source: Internet
• Tokina makes use of micron-unit quality control to assemble its lenses. The quality of the lens is consistent with both the external and internal parts. This means that all the measurements are done in micron units that guarantee precise mechanical fitting. The accurate measurement in microns results in the seamless operation of rotating rings and internal focusing. - Source: Internet
• 7. Samyang XP 14mm f/2.4 The best prime lens for astrophotography Specifications Autofocus: No Stabilizer: No Diaphragm blades: 9 Max angle of view (diagonal): 114 degrees (Full-frame) Dimensions (WxL): 87x106mm Weight: 791g Today’s Best Deals View at Amazon (opens in new tab) View at BHPhoto (opens in new tab) View at Adorama (opens in new tab) Reasons to buy + Generous viewing angle + Superb image quality + Good build and handling Reasons to avoid - Manual focus - Source: Internet
• We’ve tested seven “fast” telephoto lenses on the Nikon D750, and scores range from a low of 22 points with the Sigma 70-200mm f/2.8 EX DG APO HSM to a high of 30 points on the Tamron SP 70-200mm f/2.8 Di VC USD. - Source: Internet
• Nikon made its name with its manual-focus lenses. They made a zillion different types. These below are the specific lenses I carry when I shoot a manual-focus camera like my F, F2, F2S, F2AS, F3, FA, FE, FE2, FM, FM3a & etc. Any of the manual lenses work great; these are just what I prefer to cover everything. - Source: Internet
• Over the past few years, I’ve tried almost all of Nikon’s modern wide angle lenses, as well as a number of third-party options. Nasim has tested even more for our many reviews on Photography Life. The only consistent theme is compromise. No wide angle is truly perfect. However, they are getting better and better over time, and some of today’s options are pretty incredible. - Source: Internet
• Like its 14-24mm f/2.8 sibling, however, this lens is very large and heavy. It’s not your average walk-around landscape photography lens, it is a serious photographer’s specialized tool. - Source: Internet
• You lose weather sealing when you drop to this price for a fast wide angle lens, but I’ve heard of users using a thick rubber band in the gap between the lens and the camera body to stop any splashes from enterting. If you have no plans to use the Sigma 24mm f/1.4 ART in adverse weather, this really isn’t an issue anyway. - Source: Internet
• Sigma 50mm f/1.4 DG HSM Art ($949): Excellent Lens! With a large 1.4 aperture, the Sigma 50mm 1.4 prime lens is a pro level performer for shooting everything including portrait photography, landscape photography, studio photography and street photography. Super sharp! - Source: Internet
• For dedicated astrophotography, I probably wouldn’t get this lens. But for more typical wide-angle photography – with a splash of Milky Way or Northern Lights from time to time – you can’t go wrong. Honestly, it beats me why this one has flown so far under the radar. See our review of the optically similar older version here. - Source: Internet
• Besides, the lens boasts a multi-layer coating to boost the overall light transmission and color precision by eliminating ghosting and lens flare. A one-touch focusing clutch contributes to fast switching between autofocus and manual focus modes. The internal focusing design doesn’t alter the overall length of the lens while you are using it. - Source: Internet
• The ultimate medium to super-telephoto zoom lens! If you’re looking for a compact, versatile telephoto zoom lens that handles portraiture as well as it handles long-distance wildlife and action photography, look no further than the AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR. With the broadest focal length range in our super-telephoto zoom line-up, it reduces the number of lenses you need to carry into the field; and expands your handheld shooting capabilities, thanks to Nikon’s Vibration Reduction (VR) technology. Create spectacular photos and HD videos in nearly any light, from nearly any distance. - Source: Internet
• Another ideal lens for the Nikon D750 camera is the Nikon 20mm f/1.8G AF-S ED NIKKOR lens. With an ultra-wide focal length of 20mm, Nikon creators can capture vast, expansive landscape scenes. And, with the f/1.8 aperture, creators can also dabble into gorgeous astrophotography shots—the aperture promises striking low-lit image resolution. - Source: Internet
• Why isn’t the Nikon 14-24mm ranked higher on this list? It costs nearly $2,000 and is heavy at over 34 ounces, both of which are major downsides. You also can expect significant distortion at the wide end, but this is normal for a lens of this type and can be corrected in-camera on the D750. All things considered, we like this lens more for a camera like the D810 or D5—the cheaper wide-angle options on this list should serve most Nikon D750 users just fine. But that’s not a knock on its excellent optical and overall build quality. - Source: Internet
• I put the little-known Rokinon 14mm f/2.4 lens ahead of the Sigma 14mm f/1.8 for a few reasons. - Source: Internet
• This article ranks what I consider to be the top thirteen wide-angle lenses for Nikon full-frame cameras. (I’ve included a section at the bottom for Nikon DX shooters.) As you would expect, any list like this is bound by the author’s own preferences. If there were just one “best” wide angle for everyone, lens companies wouldn’t be making so many different options. - Source: Internet
• The one downside to this Nikon lens is that its narrow f/4 aperture may not be suitable for low-light environments. It’s still decent, but obviously not as well performing as a f/2.8 or wider lens. - Source: Internet
• You’ll notice that the majority of lenses on this list are zooms. Generally, zoom lenses are more versatile because they cover a range of focal lengths, while primes perform better in low light and have less distortion. The Nikon D750 does have a distortion correction mode built into the camera, which benefits zoom lenses. - Source: Internet
• For starters, it’s sharp – more than any of the zooms on this list at 20mm, except maybe the 14-30mm f/4. And, with its f/1.8 aperture, it’s better than almost every lens above for astrophotography (assuming you don’t need the 14mm focal length for your Milky Way work). - Source: Internet
• As the least expensive lens on this list, the bar for the manual-focus Samyang 14mm f/2.8 (sometimes branded as Rokinon or Bower) isn’t all that high. After all, it only costs $290 ($350 for the version with an AE chip). - Source: Internet
• In fact, the Tamron 17-35mm f/2.8-4 doesn’t have many downsides to speak of, although corner sharpness isn’t quite at the level of a few other lenses on this list. That’s hardly a knock against this lens, though. If you need a wide-angle zoom for Nikon, it’s one of the first I’d consider. - Source: Internet
• This Nikon glass is considered to be the ideal partner to the D750. In fact, Adorama already has a camera bundle that includes the 24-120mm f/4G lens. What makes it special is its versatile wide-angle to telephoto zoom range. It’s ideal for landscapes that need wide-angle views, portraits that require the least distortion at around 50-85mm, and other types of photography that require you to zoom in to get in on the action. - Source: Internet
• Finally, we have the portrait lens. It’s technically possible to use any lens to photograph people, but certain lenses are engineered specifically to produce lifelike and flattering portraits. For instance, particular focal length and aperture can be better for capturing the human face. - Source: Internet
• In the comments section, I’ve seen a few people mention the Sigma 12-24mm f/4, Irix 11mm f/4, Nikon 17-35mm f/2.8, and the autofocus Samyang 14mm f/2.8. For various reasons, these lenses did not quite make this list, but each one has its own merits and could be what works best for your needs. This just emphasizes how many good wide-angles there are today, and how important it is to pick one that matches your specific requirements! - Source: Internet
• Even aside from star photography, this is an excellent choice for shooting landscapes. It doesn’t have autofocus, but in terms of image quality, it’s either the best or second best lens on this list at 14mm. And again, the closest competition in that regard – the Sigma 14mm f/1.8 – costs twice as much. - Source: Internet
• I’ve heard many stories about how photographers swear by their Nikon 14-24mm f/2.8G wide angle lens to give a look that’s unparalleled to any other wide angle lens on offer by any manufacturer. On the other hand, I’ve heard just as many stories of photographers selling their Nikon 14-24mm f/2.8G after a few weeks of use. - Source: Internet
• To achieve a truly wide angle perspective with a Canon APS-C dSLR, you need to select an ultra-wide wide angle lens such as this Canon 10-18mm f/4.5-5.6. - Source: Internet
• Tamron 10-24mm f/3.5-4.5 Di II VC HLD is one of the best Nikon wide angle camera lenses for photographing cityscapes, landscapes, etc. Since the model is weather-proof, it will operate well regardless of the conditions. Its optical design comprises 16 elements in 11 groups. - Source: Internet
• The 13mm is not a fisheye. Straight lines stay straight. In fact, just to show off, the 13mm has less distortion than zooms or most other normal and wide lenses! Drop a ruler on lines in the image, and they’re straight. - Source: Internet
• Sigma 85mm f/1.4 DG HSM Art ($1,199): Professional Portrait Lens! Highly Recommended! An ultimate portrait lens that offers attractive booked effect and precise focus is possible to achieve to focus on the pupils of subjects eyes while blurring the eyelashes. This Sigma 85mm f/1.4 Art lens achieved an impressive 93% overall score and Gold Award from the experts at DPReview. Ideal for professional photographers and discerning photography enthusiasts for portrait photography, low-light photography, night photography, landscape photography, photojournalism, events, and wedding photography. - Source: Internet
• The aspherical lens elements also ensures that you get both extraordinary low dispersion as well as special low dispersion out of the same lens. This offers the best possible correction right out of the box to reduce the potential post production work required when checking over your photographs or videos. The lens offers a 9.4 inch minimum focusing distance throughout its entire zoom range meaning that at a close distance you can capture the subject and foreground in excellent quality while also being able to capture the surrounding scenery too. - Source: Internet
• With the kit lens being 24mm at the wide end—and you can expect some distortion and softness there—we would add a wide-angle zoom to the mix (landscape specialists should see our article on lenses and focal lengths for landscapes). A recommended option is the Nikon 16-35mm f/4, which is great for those who want to experiment with wide-angle photography without breaking the bank. This is an extremely fun lens, and again, much more affordable than the 14-24mm f/2.8. - Source: Internet
• Wide-angle lenses tend to be heavyweight. The weight of certain models is identical to that of telephoto lenses, with the value reaching 2 pounds and more. In case you are going to shoot mostly while traveling or you will capture landscapes, the best wide angle lens for Nikon should have compact dimensions and light weight. - Source: Internet
• This Nikon wide angle lens impresses us with an extremely fast f/1.4 aperture, which will undoubtedly appeal to experienced photographers often shooting in challenging conditions. Aspherical lens elements efficiently neutralize coma and other types of chromatic aberrations even at the widest aperture settings, providing remarkable color correction and sharpness. - Source: Internet
• Every photographer needs a “nifty fifty,” and the user of a D750 is certainly no exception. This 50mm, in particular, is a popular compact, lightweight, and premium level lens that boasts a wide maximum aperture of f/1.4 for excellent low-light performance, ultra sharp focus, and some of the smoothest out-of-focus blurs. - Source: Internet
• Second, the image quality of the Rokinon 14mm f/2.4 is extremely good. I didn’t have a chance to compare it directly to the Sigma 14mm f/1.8 when I used it, but I did compare its performance for Milky Way photography (arguably the most demanding possible application) against four other top 14mm lenses. It beat all of them, with practically no coma and impeccable sharpness even wide open. - Source: Internet
• That said, if you think there’s a good case for a lens I missed above, feel free to mention it in the comments section so other readers can hear about it! Perhaps I overlooked it, or perhaps it just barely didn’t make the list. (Certainly the #13 pick above, the Zeiss Milvus 21mm f/2.8, is a high bar to clear.) - Source: Internet
• Last but not least, try to plan a budget before buying your lens and stick with it! Think about the price range that you’re able to and willing to purchase in. Perhaps there are some features, like the max aperture, that you can forgo to save some money. Especially if you know you don’t need them. - Source: Internet
• It also features 4.0 stops of image stabilization so that the motion blur when zoomed and shaky hands that’s a very popular issue with everyone but because of this new feature this is not gonna be a big deal for you. With such a price, you also get the quality in shots and the higher performance that lenses provide. Get a UV filter or a polarizer with some additional bucks - Source: Internet
• The best Nikon prime lens would have to be the Nikon 50mm f/1.4G. Not only is this a versatile focal length that’s great for portraits, this lens is pretty affordable without compromising quality and performance! - Source: Internet
• The difference between shooting at 14mm compared to 16mm of a 16-35mm wide angle lens for example may not seem much on paper but it’s actually a big deal. 14mm allows even the tightest of spaces to expand in front of you, making the Canon 14mm f/2.8L II one of the best lenses for real estate photographers who need to make interiors look as spacious as possible. - Source: Internet
• If you need an ultra wide angle lens for your APS-C camera, there isn’t really much choice other than the Sigma 8-16mm f/4.5-5.6 DC… so lucky it’s a great performer! Just shoot it wide open at f/4.5 and you’ll be happy with your decision. - Source: Internet
• We’ve tested 9 standard zoom lenses on the Nikon D750, and scores range from a low of 17 points for the Nikon 24-120mm f3.5-5.6G IF-ED to a high of 28 points for the Tamron SP 24-70mm f/2.8 Di VC USD. - Source: Internet
• Its upgraded Hyper Sonic Motor (HSM) contributes to swift and precise autofocus. Chromatic aberrations are reduced thanks to 3 FLD and 3 SLD glass elements, 3 aspherical lens elements and 1 large-diameter aspherical element. The picture sharpness is on point as well. - Source: Internet
• The lens internally focuses which keeps water and dust ingress to a minimum and is ultimately an affordable telephoto zoom with great optical performance. Even though there’s some slight color fringing around the most contrasted of subjects, it’s bright and sharp throughout the frame. See our full Nikon AF-P 70-300mm f/4.5-5.6E ED VR review (opens in new tab). - Source: Internet
• Additionally, this lens features a 7.8-inch close-focus capability, guaranteeing photographers and videographers can focus, even in tight spaces. The lens incorporates Nikon’s silent-wave motor for quiet autofocusing, and it’s built with the highest quality materials—including aspherical lens elements and extra-low dispersion glass—to guarantee dazzled clients and followers. - Source: Internet
• Its low-light performance is great for a zoom lens and it uses a constant f/2.8 aperture over the entire zoom range. This means you get evenly exposed images across the whole focal range. - Source: Internet
• Nikon 50mm f/1.4G ($447): Budget option. An ideal portrait and travel lens with an affordable price. And it also a perfect lens for travel, event, environmental and general photography in a wide variety of conditions, with superb optical formula and an ultra-fast f/1.4 maximum aperture. - Source: Internet
• The Tamron doesn’t go all the way out to 14mm (closer to 15.5mm instead). The boost to 30mm is nice, but I think that most of this lens’s potential users would care more about the wide end of things. Also, like the Nikon 14-24mm f/2.8, it doesn’t take filters natively, so you’ll need a fairly large and cumbersome attachment if that’s important to your photography. - Source: Internet
• The best part about this lens is that it has an internal autofocus motor, meaning that is can autofocus even on Nikon’s cheapest dSLRs. Normally lenses which feature an inbuilt motor are more expensive, but Tokina has managed to make the Tokina 11-16mm f/2.8 AT II the cheapest ultra wide zoom available for Nikon cameras. - Source: Internet
• The new Sigma lens sits in the Japanese manufacturer’s “Sports” range as denoted by the S in its name, and replaces the older APO version, which ranks in 3rd place with 26 points. At 200mm f/2.8 sharpness, the new S version is a significant improvement over the APO model, which was far from homogenous at these important settings. In fact, at the longer 300mm focal length, the new S Sigma version offers excellent sharpness that’s homogenous across the frame using apertures between f4 – f/11, and as mentioned, it’s very good at f/2.8, too. - Source: Internet
• We’ve analyzed images using seven ultra-wide-angle zoom lenses on the Nikon D750, and scores range from a low of 17 for the Sigma 12-24mm f4-5.6 EX DG to a high of 27 for the Nikon 14-24mm f/2.8G ED. - Source: Internet
• An ultra-wide-angle lens is defined as having a focal length of 20mm or less, and is an important lens for architecture and landscape photographers. For architecture, and particularly for interiors where space can be restricted, the ultra-wide field of view ensures that you can fit everything in. Rectilinear ultra-wide-angle lenses also keep lines straight, particularly useful for professionals so that their images don’t suffer distortion as they do with fisheye lenses. - Source: Internet
• Both lenses also perform well at the long end of the zoom using maximum aperture, which is an important setting for many photographers using a “fast” telephoto zoom. So at 200mm f/2.8, both the Tamron and Sigma versions offer very good levels of sharpness — almost uniform, with only a little bit of edge softness evident. - Source: Internet
• 3. Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED A compact, versatile macro lens giving genuine 1:1 reproduction that also works for portraits Specifications Diaphragm blades: 9 Stabilization: 4 stops Minimum focusing distance: 0.314m Filter thread: 62mm Weight: 750g Dimensions: 83 x 116mm Today’s Best Deals Check Amazon (opens in new tab) Reasons to buy + Incredibly sharp optical performance + Focuses to infinity Reasons to avoid - VR weaker when focusing closer - Not the cheapest FX macro lens - Source: Internet
• Tokina AT-X 11-20mm f/2.8 PRO DX is the best wide angle lens for Nikon DX-format DSLRs due to the steady f/2.8 maximum aperture for constant brightness across the entire zoom range. - Source: Internet
• Considering the price and full-frame compatibility, this deal is hard to ignore. You’re getting huge value and use out of this lens and the cost will pale in comparison. It’s one of the most affordable Nikon lenses for D750 users that want a full-frame lens. - Source: Internet
• More to the point, if your favorite lens isn’t listed above, that doesn’t make it a bad lens. I didn’t include some highly specialized lenses in the list above, nor any of an almost endless trove of older wide angle lenses available today. And if your ranking of important features is different from mine at the beginning of the article, your personal list could look wildly different. - Source: Internet
• This fast Nikon 200mm f/2G ED VR II lens renders shallow depth-of-field with beautiful background blur (bokeh), and is ideal for photographers seeking to freeze movement with fast shutter speeds in low lighting conditions, including indoor sports, wildlife or portraiture. Its ultra-fast f/2 maximum aperture renders shallow depth-of-field with beautiful background blur (bokeh) and is ideal for photographers seeking to freeze movement with fast shutter speeds in low lighting conditions. Professionals covering weddings, sporting events, and fashion shows will appreciate its reach, image quality, and fast aperture. - Source: Internet
• What’s so good about this lens? Excellent image quality – beating the Nikon 14-24mm f/2.8 head to head overall, with a tad less sharpness at 14mm and significantly more at 24mm. On top of that, it has less flare than any of the f/2.8 zooms listed above, which makes it great for backlit landscapes. - Source: Internet
• The benefits? First – at $1200, the same cost as the Tamron above – the Sigma zooms out to 14mm rather than 15mm (which is really 15.5mm). That’s a relatively minor benefit for most photographers, but it’s enough to sway the rankings in Sigma’s direction when the lenses are all so close anyway. - Source: Internet
• Tokina 11-20mm f/2.8 – a bit larger and more expensive, but goes to f/2.8. If you want the option to do Milky Way or Northern Lights photography with a DX camera, this is the lens I’d get. $470. - Source: Internet
• The Tokina 17-35mm f/4 takes regular 77mm filters, making it a great wide angle lens for landscape photographers wishing to shoot long exposure photos in daylight (e.g. waterfalls with ‘flowing’ water or landscape shots with cloud movement). - Source: Internet
• Amazing Macro Lens! This medium telephoto Micro lens is ideal for extreme close-up and portrait work with greater working distances and AF from infinity to life-size (1:1). This Nikon 105mm f/2.8G IF-ED VR is the world’s first macro lens featuring Nikon’s exclusive Silent Wave Motor (SWM) and Vibration Reduction (VR) designed for close-up and macro photography; versatile for all photographic situations. The VR system offers a three shutter speed stop equivalence enabling the use of slower shutter speeds while still maintaining image sharpness, even in low light. This is especially powerful for handheld close-up photography, where even the smallest camera movement can result in blur. - Source: Internet
• Today, I love using wide angle lenses, but it took me several years to get to that point. As a Nikon photographer, I certainly wasn’t short on options; it’s just that none seemed to work quite right for my needs. If that sounds familiar – you’re constantly comparing wide angles – hopefully this article will help you make a decision. - Source: Internet
• The top lens on this list – and, in my opinion, the best wide angle lens for Nikon cameras at the moment – is the Nikon 20mm f/1.8. See our review. - Source: Internet
• If you need a wider angle than 20mm and can’t afford to cough up $2950 for the Zeiss, then the $319 Samyang 14mm f2.8 IF ED UMC in fourth place with 25 points represents the best value option for the money. Like the Zeiss 15mm, the Samyang 14mm is a manual-focus-only lens. If you’re looking for an autofocus lens wider than 20mm, the $1249 Nikon 14mm f2.8D ED is a good option, although with a score of just 20 points on the Nikon D750, it’s a little further down the ranking for image quality. - Source: Internet
• A telephoto lens, in photography and cinematography, is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a telephoto group that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as telephoto lenses although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group - Source: Internet
• In addition to its edge-to-edge sharpness, the Nikon 58mm f/1.4G AF-S NIKKOR Lens guarantees gorgeous bokeh images, thanks to the f/1.4 aperture and its nine-blade diaphragm. Nikon creators can bring this lightweight lens with them wherever they go; the versatile 58mm focal length works across a variety of shoots, while its weight, less than one pound, adds virtually no bulk to a camera bag. - Source: Internet
• The lens comes with a standard petal-shaped BH-777 bayonet lens hood. Although the lens body is made with thick plastic, the interior is coated with black felt. The internal black coating absorbs the stray light to reduces the reflection. - Source: Internet
• The Tokina 12-24mm belongs to the PRO model series. The body of the lens barrel is made with high-quality plastic on a metal substructure. The exterior body of the lens barrel comes with an additional hardened Alumite (Armalite) finish. This extra coating not only enhances the outlook of the lens but also increases the durability. - Source: Internet
• On full-frame sensors an ultra-wide-angle lens is defined as having a focal length of 20mm or less, and is an important lens for architecture and landscape photographers. For architecture, and particularly for interiors where space can be restricted, the ultra-wide field of view ensures that you can fit everything in. Rectilinear ultra-wide-angle lenses also keep lines straight, particularly useful for professionals so that their images don’t suffer distortion as they do with fisheye lenses. Ultra-wide-angle lenses can also be used creatively for more dynamic images however, as they exaggerate the space between the near and the far. This makes them popular with landscape photographers who want to emphasize something in the foreground to make it look big and dominating — an unusual and dramatic effect that can also work well with portraiture or product photography. - Source: Internet
• Although the Canon 24mm f/1.4L II isn’t particularly sharp wide open at f/1.4, stopping down to f/2.8 produces a razor sharp image. Corner sharpness is very good throughout and there is very little distortion, which is unusual for a wide angle lens. - Source: Internet
• In terms of construction, at a mere 485 grams / 1.1 pounds, the 14-30mm f/4 is about half the weight of the f/2.8 zooms above. It also natively takes filters – the only 14mm lens listed here to do so (and, indeed, the world’s first 14mm lens to take front filters at all). These considerations are what vaults it to second place overall in this ranking. - Source: Internet
• I took this photo in Hanoi, Vietnam, with a Sigma 10-20mm wide-angle lens. With the ultra-wide-angle perspective, it’s easy to end up with some wacky angles and leaning lines, but with careful framing, it’s also possible to get symmetry and straight lines. This was shot hand-held, without the benefit of a tripod and level. - Source: Internet
• Sensor scores are only one half of the equation, however, and lens quality will have a significant impact on image quality, too. Good glass can really make the most of the D750’s 24.3Mp sensor, and we’ve analyzed a total of 105 lenses on the Nikon D750, both primes and zooms, to see which ones perform best. These tested lenses include both Nikkor and third-party options from a range of manufacturers, and cover a vast focal range between 12mm to 600mm. Verified scores range from a relatively low DxOMark Score of 16 up to 44 — one of the best scores we’ve ever recorded, and goes to show the importance of getting the right glass for your camera. - Source: Internet
• Sometimes, it becomes confusing to use the focus mode button while framing an image through the viewfinder. Tokina has addressed this problem with a one-touch focus clutch mechanism incorporated with the focus rings. All you need is to snap the focus ring forward to operate the lens in AF mode and backward for MF operation. - Source: Internet
• 6. Nikon AF-S 24-70mm f/2.8E ED VR An incredibly useful zoom lens that’s both sharp and fast, ideal for low light Specifications Diaphragm blades: 9 Stabilization: 4 stops Minimum focusing distance: 0.38m Filter thread: 82mm Weight: 1,070g Dimensions: 88 × 154.5mm Today’s Best Deals View at Amazon (opens in new tab) View at Crutchfield (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Useful, general purpose focal range + Fast aperture great for low light + VR minimizes handheld camera shake Reasons to avoid - There are smaller 24-70mm lenses - Source: Internet
• Nikon AF S 18-35mm stands as the best alternative for the above mentioned Nikon lens. Despite the great photographs it takes, the manufacturers also urge to try it for video shooting as it also captures great videos. However, it too does not have an image stabilization system as a wide-angle lens. - Source: Internet
• I’m a big fan of Nikon’s recent f/1.8 G lens releases and recommend them to any photographer looking for a great value, great performing prime lens. If you’re in the market for a great all-round Nikon ultra wide angle lens, the Nikon 20mm f/1.8G should be at the top of your list. - Source: Internet
• The lens is equipped with a Hyper Sonic AF motor that ensures quick and precise focusing. Moreover, you can adjust the focus manually by turning the control wheel. The lens is manufactured from heat-resistant composite material that is quite strong. It also features a brass bayonet mount. - Source: Internet
• I particularly like the Nikon AF-S DX 12-24mm ƒ/4G IF-ED. It’s an excellent lens, but it’s priced higher than the others here–about double or triple the price. If your budget extends that far, it’s well worth a look. - Source: Internet
• The term macro can be more loosely applied to lenses that feature close focus capabilities, but with a lower magnification of 0.5x or 1:2. While not “true” macros, these optics are a good option for general close-up photography of small, but not tiny, subjects. That makes them good for product and pack photography, and macro lenses with focal lengths around 100mm are well suited to portraiture, too, making them a little more versatile than you might have first thought. - Source: Internet
• With over 170 raving customer reviews for this lens on Amazon, if you’re looking for an ultra-wide angle lens for your DX format Nikon dSLR, the Nikon 10-24mm f/3.5-4.5 really is hard to beat. - Source: Internet
• If so, you might find everything you’ve been looking for in the Tamron SP 70-200mm f/2.8 Di VC USD. Arguably among the best telephoto lenses you can find, it’s a superior high-speed lens that packs class and quality in one. - Source: Internet
• Since its release in 2015, the Sigma 24mm f/1.4 ART has caused some huge ripples in the wide angle lens market. If there’s one wide angle lens that has caused photographers to sell their more expensive ‘big name brand’ lenses in favour of a cheaper third party alternative, this is it. - Source: Internet
• You can save a lot of money by buying a cheap Canon wide angle lens such as the Canon 28mm f/1.8 USM. If you find yourself needing a little more light, take advantage of your camera’s higher ISOs instead. - Source: Internet
• This lens offers a versatile range of shooting options that make it perfect for capturing a variety of scenes. Additionally, this lens features a fast f1.8 aperture that helps to create images with plenty of detail and color. - Source: Internet
• One issue with the Nikon Z 14-30mm f/4 is its extremely high level of distortion. It also has a decent bit of vignetting. Nikon apparently made those design compromises knowing that distortion and vignetting are (fairly) easy to correct in post-processing software – and, indeed, you can’t even uncorrect photos from this lens in Lightroom at all. - Source: Internet
• Standard lenses or normal lenses have focal lengths in the medium range of around 50mm. These lenses are used to create photography with no magnification. While Macron and telephoto lenses create zoomed-in photographs and wide-angle lenses create zoomed-out photographs, these standard lenses would create photographs without any zoom-in or zoom out which is so natural and exact to the view that a human eye would see. Hence, these lenses are used on major occasions. These lenses are great for street photography, landscapes - Source: Internet
• This makes them a possible one-stop-photography lens. You can capture pretty much every scene you’ll come across. It might only struggle with astrophotography and very deep telephoto shots. - Source: Internet
• Nikon 105mm f/2.8G IF-ED VR Micro ($897): Highly recommended! This medium telephoto Micro lens is ideal for extreme close-up and portrait work with greater working distances and AF from infinity to life-size (1:1). This Nikon 105mm f/2.8G IF-ED VR is the world’s first macro lens featuring Nikon’s exclusive Silent Wave Motor (SWM) and Vibration Reduction (VR) designed for close-up and macro photography; versatile for all photographic situations. The VR system offers a three shutter speed stop equivalence enabling the use of slower shutter speeds while still maintaining image sharpness, even in low light. - Source: Internet
• Achieving the highest score in all five lens metric categories, the Tamron SP 24-70mm f/2.8 Di VD USD is the best standard zoom lens on the Nikon D750. It wins with an overall DxOMark score of 28 points, just ahead of Nikon’s own AF-S 24-70mm f/2.8G ED with 27 points and the older 24-85mm f/2.8-4D IF with 23 points. - Source: Internet
• This lens benefits wildlife photographers, or those into aviation or motorsports, or indeed sports of any kind, but due to its size and weight photographers will likely want to pair it with a monopod to take the load off. Check out our full Sigma 150-600mm f/5-6.3 DG OS HSM Sports review (opens in new tab). - Source: Internet
• And it has aspherical elements. What that means is that you don’t get the heavy lens distortion that you get with a similar focal length in a fisheye lens (see below). So lines stay straight, including horizons. You do, however, get quite a lot of stretching around the edges, but that’s something you can factor into your framing and even accentuate for dramatic effect if you wish. - Source: Internet
• The Tokina AF 12-24mm f/4 AT-X 124 Pro DX II Lens comes with upgraded features. It is compatible with the Nikon DX bayonet mount. It is equipped with a state-of-the-art ultrasonic micromotor that improves the efficiency of the autofocus mode. Tokina has incorporated an all-new single-touch focus clutch mechanism in this lens, unlike other lenses that come with a hard-moveable switch. - Source: Internet
• This macro lens offers a good balance between close-up focusing and a compact size. Able to be used as a genuine macro lens due to the 1:1 reproduction ratio, this means a subject appears the same size in real life as it does on the image sensor. Not only this, but the lens focuses to infinity which, thanks to the longer 105mm focal length, makes it perfect for portraiture. - Source: Internet
• The only real downside with this lens is that it’s a 20mm prime. If you need wider than that, or if a zoom is critical to your photography, it’s probably not even on your radar. Other than that, I’m hard-pressed to find anything I don’t like about the 20mm f/1.8. - Source: Internet
• On the bright side, all the good things I’m saying about this lens hold true regardless of the profile; it’s extremely sharp, and you do get the full 14mm even with corrections on (corrections off is more like 13.5mm – assuming your software even lets you view images with corrections off). Again, I went through all this in our review, so check it out if you haven’t yet. - Source: Internet
• Tokina is an optical brand established recently in 1981. Tokina’s mission is to refine optical gadgets by continuous addition of high-quality optical features. The Tokina 12-24mm is the most advanced DX lens of the AT-X PRO series, designed for digital SLRs with APS-C sensors as well as 35mm SLR film cameras. - Source: Internet
• Sigma’s Art series 14mm prime is as big and heavy as a lot of ultra-wide zooms, due to its very fast aperture, and if you need great sharpness and low vignetting at f/2.8, then go with this lens. If you plan to spend all your time at f/8-11, however, just go with a Rokinon/Samyang. - Source: Internet
• This level of optical performance comes with a hefty price tag, however, and the Nikon 200mm f2G is the only one of the three lenses to feature autofocus. If you’re after a slightly more affordable 85mm lens with autofocus, the $1,599 Nikon 85mm f1.4G deserves a honorable mention, ranking 4th for short telephoto primes on the Nikon D750 with a score of 39 points. Although its sharpness is still excellent, the Nikon 85mm f1.4G posts a slightly lower score of 22P-Mpix, as it isn’t quite as sharp at the maximum aperture setting of f/16. - Source: Internet
• All the earlier 50mm f/1.8 lenses since 1978 are also all excellent, including the 50mm f/1.8 AF (non-D), 50mm f/1.8 Nikkor manual focus, and the 50mm f/1.8 Series E. - Source: Internet
• Editor’s Choice Nikon 14-24mm f/2.8G Legendary lens that’s worth the spend thanks to its incredible image quality, performance and durability. Check Current Price - Source: Internet
• The 28-80mm G focuses more closely than other Nikon lenses, often eliminating the need for a macro lens. It autofocuses faster than any other Nikon AF lens, including the AF-S lenses. Just try one; it’s uncanny how instantly and exactly it focuses. - Source: Internet
• The Nikon D7500 has what’s known as an APS-C sensor, which Nikon calls a DX sensor. (They call their full-frame sensors, FX.) It’s smaller than a full-frame sensor, and so you need to multiple the focal length by 1.5x. For example, if a lens says it has a focal length of 10mm, when you put it on a D7500, you’ll get a view that’s equivalent to 15mm on a full-frame camera. - Source: Internet
• This 13mm is also unusual in that it has little to no distortion of straight lines. Unlike zooms and most fixed lenses like the current 14mm f/2.8 and 14-24mm AF-S, make a photo of the horizon along the bottom or shoot a brick wall, and everything stays straight and square. Of course even the slightest tilt on your part throws everything into a bizarre angular array of converging and diverging lines, but that’s the fun. - Source: Internet
• This super sharp lens is fantastic across the entire frame and is only thwarted by the fact that the protruding front element means filters require a specialist mount and need to be huge. It’s also a little bulky and heavy, but nothing that DSLR owners won’t be used to. Overall, this is an incredible lens. See our full Nikon AF-S 14-24mm f/2.8G ED review (opens in new tab). - Source: Internet
• Why are some lenses ‘fast’ and what are they best used for? Some lenses are called fast because they have wider apertures that let more light into the camera. In order to correctly expose the image, this light needs to be cut off quicker than with narrow apertures. This means that a faster shutter speed is needed. Fast lenses are used when you want to reduce motion blur, shoot high-speed activities, get better low-light point-and-shoot images and easily achieve shallow depth-of-field shots. - Source: Internet
• Distortion is prevalent in almost all ultra wide angle lenses, and the Sigma 8-16mm f/4.5-5.6 DC is no different. However, Lightroom corrects this with one click – I’d recommend you add the lens correction to your import preset to apply it automatically upon image import. - Source: Internet
• Excellent “Fast” Telephoto Zoom Lens! This lens is the first lens designed under Sigma’s new Sports line of lenses, making it well-suited for fast-moving subjects such as wildlife, nature, aviation, racing, and other similar situations. Characterized by its bright f/2.8 constant maximum aperture, this lens excels in available light conditions and also enables notable control over depth of field throughout the zoom range. The Hyper Sonic AF Motor provides fast, smooth, and quiet auto focusing for faster performance that also benefits video recording. Featuring a dust- and splash-proof construction, this lens is well-suited for sports and wildlife photography. - Source: Internet
• Sigma makes an inexpensive 12-24mm zoom that may be wider, but it’s not a professional lens, its not a Nikon lens, and it distorts slightly. Nikon’s 14mm f/2.8 and 14-24mm AF-S are not quite as wide, and have more distortion. - Source: Internet
• The only setback of having a lens with a long zoom range is that the aperture will have to remain pretty standard at f/3.5-5.6, opening up the widest at 28mm. This means it can’t be expected to perform well in low-light conditions, especially towards the longer end of the zoom range, but it’s great as an affordable, all-in-one daytime or studio lens to match the D750. - Source: Internet
• Nikon’s first internal-focusing 300mm /2.8 lens of 1977 quickly became the news and sports photographers standard long lens. It was fast enough to shoot indoor sports, and the internal-focusing design let it focus from near to far with the flick of a finger. - Source: Internet
• Case in point – it has autofocus, zoom, and even vibration reduction. The price is high, but not too high for what you get ($1100), and it’s on the lighter side for the lenses here (680 grams / 1.5 pounds). No, the 16-35mm f/4’s performance isn’t the best on the market, but it’s far from bad. This lens just makes sense for a lot of photographers, more so than most of the options here. - Source: Internet
• All-in-one lenses are popular for crop-frame cameras and there are a variety of options on that side of the aisle. For full-frame cameras like the D750, the Nikon 28-300mm VR currently is the only all-in-one FX lens. You can expect noticeable distortion at the ends (the Nikon D750 does have a built-in distortion correction mode) but the lens is sharp throughout its zoom range, focuses reasonably quickly, and captures good images overall. It is a heavy lens at over 28 ounces, but actually is lighter than many of the zoom lenses on this list including the Nikon 24-70mm and Nikon 14-24mm. The 28-300mm also is a good value: for just over $1,000 you can avoid buying and switching out multiple prime and zoom lenses. - Source: Internet
• If you’re looking for a super-telephoto lens with a handy zoom range, then Sigma’s 150-600mm f/5-6.3 DG OS HSM | S is our pick of the bunch, (and there’s quite a few). A step up from their contemporary version of the same focal length, this lens is comparatively larger and contains two FLD (ultra-low dispersion) elements to keep chromatic aberration at bay. - Source: Internet
• Below are top rated 70-200mm telephoto zoom lenses for Nikon D750 camera, the best ones are also from Nikon and Tamron, Tamron SP 70-200mm f/2.8 is much cheaper than AF-S Nikkor 70-200mm f/2.8G, but also has great image quality. The AF-S NIKKOR 70-200mm f/4G lens is a cheap, ligher and great lens for Nikon D750. - Source: Internet
• It’s a great lens to buy if you want to get into sports or wildlife photography. However, note that a telephoto lens can be quite costly, heavy, and large. So packing it for a trip can be quite a challenging thing. - Source: Internet
• The Nikon is either ahead or tied in all lens metric categories, and for the crucial metric of Sharpness, barely beats the competition, scoring 19P-Mpix compared to 18P-Mpix for the Zeiss and Sigma. At f/2.8, there’s not much between the Nikon 20mm and Zeiss 15mm, with both offering good levels of uniform sharpness compared to the Sigma 20mm, which drops off in the corners. At the minimum aperture setting, the Sigma 20mm is more homogenous across the frame, but isn’t quite as sharp as either the Nikon or Zeiss. - Source: Internet
• It’s often simpler (and cheaper) to stick with lenses that are specifically designed for DX cameras, but it’s not a requirement. For Nikon lenses, “DX” will be in the lens name. Other manufacturers might use a different code; Sigma, for example, uses “DC”. - Source: Internet
• Discerning photographers, both professional and enthusiast, have long valued the advantages of a fixed-focal-length prime lens over a zoom. While zooms are more convenient for lots of photographers, primes offer a number of advantages, the foremost of which is image quality. Yes, it’s true that the optical performance of zoom lenses is constantly improving, and we’ve seen some outstanding zoom results in Part 1, but the best prime lenses always outperform a zoom. - Source: Internet
• Otherwise, you won’t be able to properly attach the lens to the camera. Thankfully, Nikon cameras don’t feature an array of lens mount types. The most widespread one is the Nikon F-mount. - Source: Internet
• On the telephoto end, that usually works to our advantage, because you get more reach. A 200mm telephoto lens, for example, gives you the practical equivalent of 300mm on a full-frame camera. But on the wider end, it works against. - Source: Internet
• For those who want a lens that covers pretty much every focal length that you will need for most photography styles, the Nikon 28-300mm is an obvious choice. At 28mm, its widest angle of view, your full-frame D750 can capture enough of the scene to add context to your subject. This is particularly great for group shots, as well as architectural and landscape shots. The 300mm end is also useful for getting in on the action. - Source: Internet
• Admittedly, if you’re a truly merciless pixel-peeper then you might prefer a newer alternative, for the highest level of fine detail. We’ll list some of those options next. However, many landscape photographers will continue to consider this the best lens they ever bought, for its combination of durable reliability and overall performance. - Source: Internet
• Aside from providing useful wide-angle views, it provides a versatile zoom range for many other photography styles, making it a suitable choice for most photographers — perhaps more so than the Nikon 14-24mm f/2.8. So if you’re looking for a wide-angle zoom lens that you can use for different subjects and scenes, and don’t necessarily need a bright wide aperture, this budget-friendly lens is perfect for your D750. - Source: Internet
• Our regular readers will know that we always try to go into detail for any of the products that we recommend to our readers to try and emphasize why we feel that it is the best option and beats the competing products on the market. Although many of our readers may have already heard of the Sigma 10-20mm f/3.5 due to its excellent reputation, we will still be covering a number of different points for the lens below to explain why we feel that it should be your primary wide angle lens of choice for your Nikon d750. - Source: Internet
• Chromatic Aberration / Purple Fringing. The corners and edges of the frame are hard for wide-angle lenses to get right. And because of the physics of the glass, you can often end up with different wavelengths getting out of alignment or becoming unfocused (aka soft). Cheaper, very wide lenses tend to suffer from this more. - Source: Internet
• If we had to single one out, we’d suggest taking a look at the Nikon 24mm f/1.4G. There’s little doubt that it’s the best Nikon wide angle prime lens. Though it’s on the heavy and pricey side, it creates beautifully sharp images with creamy bokeh and minimal distortion. - Source: Internet
• With a maximum aperture of f/3.5, this lens is faster than others. A maximum aperture of f/4 is pretty standard for reasonably priced lenses, and for some, that might be enough. - Source: Internet
• The Sigma 8-16mm f/4.5-5.6 DC is consistently named as one of the best wide angle lenses for crop sensor cameras under a thousand dollars. In fact, you’ll get a lot of change from a grand, with Amazon currently selling it for $699 with free shipping. - Source: Internet
• Specifically – the Tokina costs a mere $700. That’s pretty insane for an f/2.8 wide angle zoom, making it arguably the best value of any lens on this list. - Source: Internet
• For an ultra wide angle lens (indeed, Canon’s widest prime lens) to be able to produce images with no barrel distortion is incredible. I’ve heard stories of architectural photographers selling their tilt shift wide angle lens since the Canon 14mm f/2.8L II does such a good job at keeping lines straight. - Source: Internet
• Plus, the wide aperture promises a smooth blurred background that helps the subject shine, with the lens’ silent-wave motor guaranteeing a quiet autofocus mechanism—keeping that distracting noise at bay. The Nikon 85mm f/1.8G AF-S FX NIKKOR Lens is both high quality and easy to use, making it perfect for creators at all experience levels. - Source: Internet
• It has an impressive maximum aperture of f2.8 to let in as much light as possible. With a fast lens in your kit, you have the versatility to shoot in a multitude of environments and conditions. - Source: Internet
• I prefer bringing just my 28-300mm VR, but if you need f/2.8 and don’t mind bringing more lenses along, the 24-70mm f/2.8 E VR is a flawless state-of-the-art lens, a favorite of professionals. - Source: Internet
• So what is a wide-angle lens? The threshold for what makes a lens wide-angle is quite subjective. You could argue, for instance, that the 18-55mm or 18-140mm kit lenses that often come with the D7500 are wide-angle. When they’re zoomed out to 18mm (which is 27mm on a full-frame sensor) they are respectably wide. But I’m focusing on here not so much on replacing those lenses with better ones, but rather on lenses that offer something different from them so that you can get different kinds of shots. Nikon’s 16-85mm, for instance, would give you slightly more reach on both ends of the zoom, and it’s an optically superior lens, but it’s not going to be a huge difference in perspective and framing–particularly on the wide end–from the 18-55mm. - Source: Internet
• Tokina isn’t a brand that comes up as often, but this lens stands out. It has an ultra-wide 11-16mm perspective, and it’s fast, with a maximum aperture of ƒ/2.8 (and a minimum of ƒ/22). Aspherical elements help minimize lens distortions. And with an MSRP of $349, it’s very affordably priced. - Source: Internet
• When it comes to the user interface and control system of the Sigma 10-20mm f/3.5, it couldn’t be easier, the lens will mount directly to your Nikon d750 without the need for a lens adaptor or lens convertor. This allows you to quickly and easily mount the lens to your camera and go about capturing your video footage or photographs without having to waste any time. - Source: Internet
• The Sigma 85mm f/1.4 is a great optical accessory with a variety of features great for taking portrait photos. With its ultra-fast f/1.4 aperture, this lens can create a smooth bokeh effect that will make your images more captivating. - Source: Internet
• 4. Nikon AF-S 85mm f/1.8G One of the best portrait lenses, without the price tag of the faster f/1.4 Specifications Diaphragm blades: 7 Stabilization: No Minimum focusing distance: 0.8m Filter thread: 67mm Weight: 350g Dimensions: 80 x 73mm Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Excellent portrait lens + Super fast autofocusing + Great value for money Reasons to avoid - Specialized, mainly for portraits - Source: Internet
• This lens uses the G-type aperture whereas the other lens used the D-type. The G-type lenses are designed for newer camera bodies. The aperture can be adjusted by using the dial on the camera body. - Source: Internet
• FX lenses are also often (but not always) bigger and heavier. Nikon’s 14-24mm ƒ/2.8G lens, for example, is a wonderful lens (you can see some of the photos I’ve taken with it here), but it’s big, heavy, expensive. It will work on a Nikon D7500 (multiply the focal length by 1.5x to get the effective focal length on the DX sensor), but it makes the most sense on a full-frame body. - Source: Internet
• The Tokina AF 12-24mm f/4 AT-X 124 Pro DX II Lens is an optimal wide-angle lens. The lens has been designed by Tokina with advanced end-to-end technology to ensure sharp photographs with consistent colors. This lens has some fantastic features like slow-dispersion optical elements, internal focusing, and a one-touch focus clutch, which allow it to outperform other similar lenses available in the market. - Source: Internet
• I was in two minds about including the Nikon 14-24mm f/2.8G in this roundup of best wide angle lens offerings. Despite having over 200 positive reviews on Amazon and legions of devoted fans, this Nikon wide angle lens really polarises opinion. - Source: Internet
• How does VR affect image stabilization and is it important to have? VR stands for vibration reduction and it is Nikon’s equivalent of Image Stabilization in Canon cameras. It’s basically a technology that helps reduce the effect of the handshake and other vibration-causing activities on the sharpness of the image. You’ll usually find VR on zoom lenses where the aperture is narrower and the shutter speed is slower. VR can let you shoot up to 4 shutter speed stops slower than a non-VR camera and still get the same image quality. It’s really important to have lenses with a broad zoom range. - Source: Internet
• When used on a DX format (crop sensor) Nikon camera, the Nikon 20mm f/1.8G offers a 30mm field of view, which means it remains in the wide angle lens category. The size and weight of the Nikon 20mm f/1.8G actually suits Nikon’s DX cameras such as the Nikon D500 very well, ensuring that the lighter DX camera body is well-balanced with the lens. - Source: Internet
• The Nikon 10-24mm f/3.5-4.5 is sharp and focuses quickly. Obviously with a lens this wide, you’ll need to expect a fair bit of barrel distortion at 10mm. As long as you don’t place straight lines near the edges of your frame or focus too close to your subject, you can still get an image that doesn’t look warped. - Source: Internet
• As I said at the start of this review, the Nikon 14-24mm f/2.8G is big, heavy and expensive, but for some photographers, it’s by far the favourite lens in their camera bag. It’s a speciality camera lens to be used in the right circumstances for the right kind of photographer. - Source: Internet
• This Nikkor wide angle lens is universal and will show decent results regardless of where and when you decide to shoot. Its Nikon VR image stabilization offers 2.5 stops of handheld photography without any blur. - Source: Internet
• The Canon 10-18mm f/4.5-5.6 is lightweight, small, razor sharp and optically very impressive. It also adds Image Stabolization (IS), which is rare for a Canon wide angle lens. - Source: Internet
• Nikon F mount lenses are a type of camera lens that is designed to be used with Nikon F mount cameras. These lenses are available in a variety of different focal lengths, and can be used for a variety of different photography genres. Nikon F mount lenses are known for their quality, and are a popular choice among professional and amateur photographers alike. - Source: Internet
• For a specialty lens that’s relatively fast (maximum aperture of f/2.8), the Nikon 10.5mm is reasonably priced. It’s small and light and doesn’t take up much space in the camera bag. - Source: Internet
• We’ve analyzed images using seven ultra-wide angle prime lenses on the Nikon D750, and scores range from a low of 19 points on the Sigma 14mm f2.8 EX Aspherical HSM to a high of 30 points on the Nikon AF-S 20mm f1.8G ED. - Source: Internet
• Keeping a fixed maximum f/2.8 aperture through the zoom range means “fast” telephoto zooms are bigger, heavier, and more expensive than lenses with a variable aperture, which puts them into the pro or serious enthusiast category. For many of these photographers, however a “fast” telephoto zoom is one of the most important lenses in their kit bags, as it enables them to shoot a range of subjects such as sports, wildlife, events, and often portrait photography. The f/2.8 aperture ensures that fast shutter speeds for sports and wildlife are more achievable, making it possible to use the lens indoors at such events as weddings or award ceremonies, and helps create nice blurred backgrounds for portraiture, too. - Source: Internet
• In order to achieve such incredible image quality at an extreme wide angle, the front of the lens on the Nikon 14-24mm f/2.8G is rounded. This means that you won’t be able to use any screw-in front filters on it, which rules out a lot of landscape photographers and their favourite ND filters. - Source: Internet
• The Nikon D750 uses a Nikon F-Mount. It’s compatible with a very wide range on Nikon cameras (not really old models though) and will also be compatible with future advances. You can choose from a large selection of Nikon lenses such as AF NIKKOR, AF-S, PC-E NIKKOR lenses, and more. - Source: Internet
• 50mm lenses perform great in low light as the f/1.8 aperture is wide enough to get good exposure and keep the noise low. The Nikon D750 is already great for low light and this lens will make it even better. - Source: Internet
• That said, this is a highly specialized lens. It’s one of the priciest on this list, and, somehow, the heaviest of all thirteen lenses here. At 1170 grams (2.6 pounds), it will weigh you down in a hurry. - Source: Internet
• The 18-35mm f/3.5-4.5 G doesn’t go as wide as the other zooms on this list, and it also falls behind some of them in sharpness (especially corner sharpness at the longer focal lengths). I’ll also point out that the #9 lens above, the 16-35mm f/4, has vibration reduction, while this lens does not. - Source: Internet
• While you can use DX crop-sensor lenses with this camera, users should instead opt for the optically superior FX glass on offer. After all, that’s why anyone would purchase the D750 because there are, now, better performing full-frame DSLRs from Nikon such as the current D850. That, plus the smaller form factor and the fact it’s lighter than most other full-frame models, makes this a portable FX DSLR perfect for a range of photographer types. - Source: Internet
• Other than that, the biggest downside is the $1300 price ($100 more than the Sigma and Tamron zooms above). Combined with its optical quirks, the 14-30mm f/4 is not the perfect lens, and not the lens for everyone. Still, you can’t argue with the results, and this lens is in the top tier of image quality. If you’re a Nikon mirrorless shooter, it’s hard to prevent it from at least catching your eye. - Source: Internet
• The Tokina 12-24mm offers wide-angle zooming capabilities for photography enthusiasts looking for a highly advanced lens. It is the first lens designed by Tokina that is compatible with APS-C sensors of digital SLR cameras, like Canon and Nikon. With its consistent performance and maximum aperture, this lens is considered the best wide-angle lens for Nikon D3500. - Source: Internet
• These are the six best lenses for Nikon D750 you can currently buy. They cover the full focal range from wide-angle to telephoto, and we’ve thrown in a portrait prime and macro lens for good measure. Find out why they’re better than the rest and reach your D750’s creative limits. - Source: Internet
• This is the fastest glass on the list. We recommend this lens for Nikon because of its advanced design, f2.8 maximum aperture, its autofocus motor, and generally outstanding performance – all for an affordable price. - Source: Internet
• Remarkable sharpness is guaranteed throughout the entire zoom range. Besides, you can effortlessly take this lens with you on trips as it is lightweight. Other benefits of the model are pleasant handling and precise autofocus. - Source: Internet
• Prime lenses offer a number of other advantages as well, such as affordability, portability, and creativity. With less glass, primes are generally lighter and smaller than a zoom, which is both handy for portability, but also more suited to certain photographic subjects. Take street photography, for example, where a small prime will help you work discreetly, or social portraiture, when sticking a large zoom lens in someone’s face can be off-putting. - Source: Internet
• This Tokina AT-X wide-angle lens has established an excellent reputation for capturing sharp photos. Tokina is known for introducing new features to make the operation of its lenses more seamless. The one-touch focus clutch mechanism, for example, saves a lot of hassle when switching between manual and autofocus modes. - Source: Internet
• A standard zoom offers a versatile focal length from wide-angle through to short telephoto. This makes them a convenient choice for photographers such as event or press snappers who often need to switch between these different focal lengths and don’t have time to change lenses. “Fast” standard zoom lenses with a maximum aperture of f/2.8 are also perfect for these photographers, as the big aperture is good for low-light shooting and makes it easier to blow a background out of focus, too. To cover a diverse focal range with a “fast” aperture requires some chunky glass, though, so standard zooms aren’t the smallest nor lightest optics available, which means they’re not ideal for street photography. - Source: Internet
• But then there’s the other feature, which is a big positive that basically negates the slightly slower maximum aperture: the Nikon lens has vibration reduction, which means that you can get an extra 2-3 stops without shaking ruining the photo. This essentially cancels out the slower maximum aperture, and then some. Vibration reduction, or VR, is pretty unusual on lenses this wide, and especially on ones at a low price point like this one. - Source: Internet
• The least used lens out of this Best lens for Nikon D750 Guide. These lenses are called Fish-Eye lens, or ultra-wide angle lens. Not to be harsh on these lenses, but throughout my experience and research on all of these lenses, I figured that the least used would be the fish eye lens. - Source: Internet
• The 14-30mm f/4 is also a very polarizing lens. When I reviewed it earlier this year, I tested one great copy and one that was obviously decentered. Other photographers online have also mentioned that they noticed decentering issues on this lens. - Source: Internet
• I’m not one to write much about “intangible” aspects of a lens’s color rendition, rendering, or other qualities. With the right post-processing, I’ve never met a lens whose images can’t be finessed where I need them to go. That said, photos like the one below – which I took with the Milvus and didn’t post-process at all before exporting the RAW from Lightroom – sometimes do make me reconsider: - Source: Internet
• There’s also next to no ghosting or darkening in the corners of the frame which is unusual for an ultra wide angle lens. This combined with the sharpness makes the Nikon 14-24mm f/2.8G a firm favourite with architecture and interior photographers who need the cleanest files from edge to edge at any given aperture. - Source: Internet
• One of my favorite wide angle lenses I’ve used is the Tamron 15-30mm f/2.8. It’s a heavy lens, but it matches or even exceeds the Nikon 14-24mm f/2.8 in image quality overall – plus adds some modern features like vibration reduction and a water-repellant front element. Like the Nikon, it gets a bit weaker in the telephoto region (see our review), but even there it’s better than most. - Source: Internet
• Similar to other third-party lenses used on Nikon camera bodies, autofocus can be an annoyance with the Sigma 35mm f/1.4. A number of users have reported inaccuracies out of the box that require calibration either manually or via Sigma’s USB lens calibration dock. And despite the impressive build quality, this lens is very heavy for a prime at 2 pounds. But if you love shooting at 35mm, we highly recommend giving the Sigma Art series serious consideration. - Source: Internet
• Below are the best wide angle lenses for Nikon DSLRs. All the lists are based on the test results from DxOMark. You can choose the one you need. - Source: Internet
• The Sigma 10-20mm f/3.5 comes with a lens filter thread size of 82mm and due to the 82mm lens filter thread being so popular amongst modern camera lenses, this ensures that you will always be able to easily source decent filters for your lens. In our opinion, as an absolute minimum, you should be looking to use a decent UV lens filter with your lens to offer that additional layer of protection for the forward lens element against any accidental bumps, knocks, or drops to protect your lens from damage. - Source: Internet
• This lens is a new addition to our list (and you’ll notice some people in the comments section wonder why I didn’t include it). I just recently had a chance to test the Tamron 17-35mm f/2.8-4 extensively, and I found it to be an excellent lens. - Source: Internet
• Here is another prime lens from Nikkor. The size of the lens, quality of shots are almost the same with this lens just as the lens mentioned above despite the fact that it features a focal length of 35mm which is suitable for more distant subjects. Hence, a brilliant prime lens for portrait photographers and landscape photography as well. - Source: Internet
• As with all Canon L series lenses, the Canon 24mm f/1.4L II is built like a tank to last a life time. Pro Canon lenses of this calibre hold their value very well, but don’t buy this lens if you’re thinking of selling it on in the future – once you have a go with it, it’s very hard to put down! - Source: Internet
• There is another cheaper alternative, you could use a reverse ring to turn your D750 kit lens, into a macro lens. Yes, you could try that but it’s more complex to use than a using a macro lens. And also, it can damage the glass on your lens. - Source: Internet
• There’s also a Nikon 12-24mm wide angle lens which is a similar weight/price, but I’d still recommend the Nikon 10-24mm f/3.5-4.5. If you’re going to go ultra-wide, you may as well get the widest version, especially on a DX camera which is already reducing the ‘wideness’. - Source: Internet
• With Sigma having an excellent reputation when it comes to the performance, clarity, and functionality of their lenses, it should come as no surprise that the Sigma 10-20mm f/3.5 gets a five out of five for all five sections and ensures the sharpest image quality possible. Although the 10-20mm focal length can be a little wide for some people, using the lens at the 20mm focal range is close to a regular wide angle lens where as the 10mm focal length offers excellent ultra wide angle functionality too. - Source: Internet
• Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens. I shot this several years ago at the Smithsonian’s Air and Space Museum. The Wall Street Journal published it as a half-page image. - Source: Internet
• Winning the “f/2.8 zoom battle” is the Tokina Opera 16-28mm f/2.8. This lesser-known lens is a hidden gem; it has slightly weaker performance than the other three f/2.8 zooms above, but it pulls ahead in this comparison because of its excellent value. - Source: Internet
• If you are going to be using any type of lens filter with your Sigma 10-20mm f/3.5 and your Nikon d950 for your wide angle photography then ensure that you only ever fasten it until it is finger tight as although the reinforced, high-quality plastics on the lens do help to prevent cross-threading, over-tightening can still sometimes make it difficult to remove the filter after use. Again, as we touched on above, we would always advise our readers to pick up an 82mm UV lens filter for their Sigma 10-20mm f/3.5 as a minimum but there are plenty of decent Cpl, ND, and solar filters available in the 82mm thread size depending on the niche that you will be working in. - Source: Internet
• This is quite simply the best ultra wide angle zoom lens for Nikon DX cameras. The Nikon 10-24mm f/3.5-4.5 offers a dramatic 61-110 degree picture angle, making it the perfect wide angle lens for landscape photography, interior photography, architecture photography and more. - Source: Internet
• The Tamron macro lens is actually the sharpest of the three overall, scoring 21P-Mpix compared to 20P-Mpix and 19P-Mpix for the Zeiss and the Nikon, respectively. At the maximum aperture setting all three offer good levels of edge-to-edge sharpness, and the Zeiss is as almost strong at f/2 as the competition is at f2.8. Sharpness at the minimum aperture is important for macro lenses, too, as shooting at such close proximity makes the depth of field very narrow. At this setting the Zeiss is the sharpest, although results for the Nikon and Tamron were recorded at the narrower aperture setting of f/32 for even greater depth of field. - Source: Internet
• If you’re serious about landscape photography, the 14-24mm f/2.8 is Nikon’s premier wide-angle zoom and a favorite among professionals. This lens captures exceptionally sharp images throughout its range, focuses quickly, and the constant f/2.8 maximum aperture is a full stop faster than the 16-35mm f/4 above. In terms of image quality and low light performance, you won’t find a better wide-angle zoom. - Source: Internet
• Tamron SP 150-600mm f/5-6.3 Di VC USD G2 ($1,399): Great Lens! The SP 150-600mm G2 (Generation 2) ultra-telephoto lens with upgraded optical performance enables handheld shooting with remarkable definition: better overall optical performance and faster AF speed, VC enhancements, plus Euori1e Coal, FLEX ZOOM LOCK and tele converter. AF speed is significantly improved from current model, and it enables accurate high-speed focus even when capturing moving subjects. - Source: Internet
• Magnification is the ratio of the image captured by the lens on the image sensor to the actual size of the focused object. This lens comes with a magnification of 0.13, implying that a focused object that is 13 cm in size will be captured as a 1cm image on the image sensor. - Source: Internet
• The 35mm may not be one of the first choices for beginner D750 users, but it will be a must-have for professional-level shooters who want a faster lens that offers this popular focal length. Since it is a prime lens, it has the advantage of having a wider maximum aperture — f/1.8 for this particular variant — which is known for its impressive low-light performance, sharp autofocus, and beautiful bokeh. - Source: Internet
• I chose to include the Tokina 11-16mm f/2.8 AT II in this list of the best wide angle lenses since it offers a fixed f/2.8 aperture throughout its zoom range, and all for under $500. It also has over 300 positive reviews on Amazon. - Source: Internet
• Although the majority of the outer lens is made from plastic, it is high-quality plastic that is solid and tough meaning that the lens should easily be able to take any bumps during use. On top of this, the robust plastics used for the lens also offers you peace of mind that any knocks coming the lenses way when in your photography bag while in transit will not break the lens either. The lens elements are made from high-quality Japanese glass too and although they are scratch resistant, as we have mentioned multiple times above, we highly recommend that our readers always use a UV filter with their lenses to protect their forward lens elements anyway. - Source: Internet
• The manual focus ring on the lens is smooth and easy to rotate if you do like to use your lens in manual focus mode too. This allows you to smoothly adjust the focus of your image as needed and the focus ring has a slight level of resistance that helps to prevent you from accidentally over or under rotating the ring during use too. This allows you to accurately make adjustments as required and although it only ends up saving you a few seconds here and there, these all end up adding up and making your photography session go smoothly. - Source: Internet
• If you’re looking for a cheap wide angle lens for Canon APS-C dSLRs, look no further than the Canon 10-18mm f/4.5-5.6. - Source: Internet
• There is a white mark on the hood that should be aligned with the hood attachment dot on the lens. The lens hood is rotated in the clockwise direction to the click sound. You need to invert the position of the lens hood to protect the lens while traveling. - Source: Internet
• If you’re looking for an affordable zoom wide angle lens with a fast, fixed aperture for your Nikon DX dSlr, the Tokina 11-16mm f/2.8 AT II really is hard to beat. Just check out the hundreds of positive reviews on Amazon – this is a hugely popular lens, and deserves its place in this best wide angle lenses roundup. - Source: Internet
• This lens is a fast short telephoto lens. (for slow super-telephoto lenses, scroll down to the next two Telephoto lenses). The Nikon 70-200 features very good performance on autofocusing and manual focusing, lowlight conditions, sports, or when shooting fast-paced subjects like animals, and in bright sunlight. - Source: Internet
• Americans just don’t get this lens, because Nikon messed up its name. The 135mm DC, or “Defocus Control,” lens, is among Nikon’s sharpest lenses ever. Defocus control doesn’t mean soft focus, it means “background softness control.” The DC feature is really Bokeh optimization. - Source: Internet
• Second, the Sigma is sharper than the #7 Nikon and #6 Tamron overall, especially at the longer end. (See Roger Cicala’s excellent review here for confirmation; this is the only lens on this list none of us at Photography Life have personally used.) In short, based on reviews like Roger’s and others, the Sigma 14-24mm f/2.8 has the best performance of any zoom on this list, or perhaps tied with that of the #2 lens below. - Source: Internet
• That brings our article going over why we feel that the Sigma 10-20mm f/3.5 is the best wide angle lens for Nikon d750 cameras to an end. As we have explained throughout our article, the Sigma 10-20mm f/3.5 is an outstanding lens, especially for its price point in the market and we have no doubt that it will be able to provide you with the best image quality possible for your wide angle photography with your d750 without you having to break the bank to do so. If you would like some external, independent opinions on the lens and its performance then you can check out some of these external reviews of the lens from other photographers and videographers who use it as their wide angle lens of choice for their cameras. - Source: Internet
• Although it is pretty standard for modern lenses these days, it also comes with some of the best multi-layer coating that we have ever seen on a lens. Although the different lens manufacturers go about layering their lenses with slightly different technologies for slightly different goals, the Sigma lens coating prioritizes sharp image quality over everything else ensure you are able to capture every little detail in the frame. The various coats on the lens elements also help to drastically reduce the chances of flare or ghosting occurring during use too further improving the image quality you can capture. - Source: Internet
• All of the top three short telephoto lenses deliver outstanding results, all ranking within the top five lenses on the Nikon D750. Lens metric scores for these lenses include the maximum sharpness possible of 24P-Mpix on the 24Mp Nikon D750 sensor. This means they resolve with both outstanding and uniform sharpness at all aperture settings, with the slight exception of f/22 on the Zeiss Sonnar T* 2/135 and the Nikon 200mm f2G, which are still very good but drop off just a little. - Source: Internet
• Also, the Tokina 11-20mm f/2.8 is built extremely durable. With quite a bit of metal in its construction, this lens can serve you well for many years. - Source: Internet
• The lens consists of 13 optical elements divided into 11 groups. The Tokina 12-24mm lens comes with super-low dispersion glass that minimizes chromatic aberration and light falloffs. The aspherical lens is cut to fit the lens barrel and decrease light reflection. - Source: Internet
• Nikon only made these to special order, and only made a few hundred of them across 20 years. Customers who took factory delivery in Japan were treated to a ceremony where the lens was blessed by a Shinto priest. I’ve only seen two in my life, both in captivity, and never seen one in the field. - Source: Internet
• Hi! I wanted to ask for some advice about my first wide lens. I have a Nikon D5300 and right now I’m using a 35 mm f/2 Yongnuo lens which I’m doing well with but I’d like to experiment with a little wider framing( I usually crop my images 16:9 or 2,35:1, if that helps). I looked into it a bit and found these lenses to be the best value for money. If you have other advice I will gladly listen, although I think my budget(≈200 euros) is quite tight :( - Source: Internet
• There are a variety of lenses compatible with the Nikon D200, from wide angle to telephoto and everything in between. Nikon’s wide selection of lenses means that there is a lens to suit every need, whether it be for landscape or portrait photography, or something in between. The D200 is a versatile camera body that can be used with a variety of lenses to create stunning images. - Source: Internet
• The Nikon 10-24mm f/3.5-4.5 feels a little plasticky compared to some of the more expensive wide angle lenses in this review. However, as long as you look after the lens, it’ll still last a long time. Also, having it made out of plastic reduces its weight considerably… not to mention its price. - Source: Internet
• Sigma 14-24mm F2.8 DG HSM Art is a superb Nikon wide angle zoom lens even for very picky photographers. It pleases us with a steady F2.8 aperture across the entire zoom range. The lens is meant for 50MP plus cameras with exceptional high-resolution picture quality. - Source: Internet
• The Tokina 12-24mm uses a micro motor that allows the focus rings to operate silently and smoothly. The micro motor is coupled with the latest GMR magnetic AF sensor to further increase the AF speed. The lens supports internal focusing, so you can capture time-sensitive images using the ultra-fast mechanism of the micromotor and GMR AF sensor. - Source: Internet
• The 28-300mm VR replaces all the lenses we used to haul around. The only thing it doesn’t do is replace an ultra-wide lens like the 16-35mm VR, or allow us to shoot sports in dim light like the 70-200mm f/2.8 VR FL. If you need anything longer, you’ll get better photos by getting closer with the 28-300mm VR than you will by using a longer lens like the 600mm VR from farther away. - Source: Internet
• Excellent lens with stellar image quality and performance! This new SP 70-200mm F2.8 G2 (Model A025) reimagines the highly acclaimed Model A009 with enhanced optical performance, improved VC (Vibration Compensation), faster AF speed and accuracy, and shortened MOD (Minimum Object Distance) for greater flexibility. What’s more, compatibility with Tamron tele converters provides additional focal length. Ideal for travel, street, landscape, portraits, weddings and sports photography. - Source: Internet
• The f/3.5 aperture on the lens is pretty fast too offering some solid low light performance for any landscape or wide angle photography and videography where the lighting may be questionable. This is more for those in the landscape photography niche but it can be common for you to hike out to some epic location with beautiful views only to realize that the lightning is less than idea. The solid low light performance on the Sigma 10-20mm f/3.5 helps to ensure that your hike to the location won’t be wasted and that you are still able to capture some excellent photographs when on location. - Source: Internet
• For the Telephoto Prime lenses, there are several great choice for Nikon D750. Shooting for sports usually need telephoto lenses, below are recommended telephoto prime lenses for Nikon D750. The new released AF-S NIKKOR 300mm f/4E PF ED VR lens is a very great telephoto prime lens according to reviews. - Source: Internet
• The Nikon 50mm 1.8G features very fast autofocus with a near-silent motor. The lens gives eye-catching contrast to your shots and the bokeh is very beautiful. - Source: Internet
• At less than half the price of its Nikon and Canon equivalents, the Sigma 24mm f/1.4 ART is a comparatively cheap wide angle lens that simply excels. The debate is still out as to whether the Sigma is better than its big brothers, but it most certainly can hold its own against them. - Source: Internet
• If you’re a landscape shooter who has little need for a fast lens, save some money and go with the original Canon 16-35mm f/2.8L which actually has better sharpness from f/4 to f/16. You may also be interested in these landscape photography tips. - Source: Internet
• Our regular readers will probably know that we are huge fans of the Sigma lens range anyway but the massive number of excellent, independent reviews that have been published for the Sigma 10-20mm f/3.5 by other photographers and videographers would suggest that the community agree with us too. As you would expect from Sigma, they have hit the nail on the head and knocked out an outstanding camera lens with a very fair price tag when you factor in what you are actually getting for your money. The lens is a huge hit amount Nikon camera users and more specifically, the Nikon d750 user community due to the excellent image quality that you are able to capture with the lens. - Source: Internet
• Sigma offers a Sigma 24mm f/1.4 ART lens at half the price of the Nikon 24mm f/1.4G, and whilst the Sigma’s performance is excellent, the edges of the frame are noticeably less sharp than with the Nikon wide angle lens. - Source: Internet
• This is another amazing Tokina lens. The Tokina AT-X Pro 11-16mm f/2.8 DX II for Nikon is faster glass than the other ultra wide angle lenses on this list, and just as good in terms of image quality and performance. - Source: Internet
• Not to mention that there are a number of other 14mm lenses on the market for Nikon, many of which (even the zooms) also have very good image quality. You’re paying a premium for some very special features with this lens (particularly the f/1.8 maximum aperture), so it’s worth making sure they matter. But if they do – you can’t beat the Sigma. - Source: Internet
• This lens is a steal. It’s my favorite DX lens, since when I shoot a DX DSLR, I’m traveling basic and light (I bring my Full-Frame DSLR If I’m shooting something serious). I’ll grab this one lens and leave everything else at home, and this is also a great lens to add to the 18-300mm for people photography in low-light. - Source: Internet
• This Nikkor lens was made with such incredible precision that it didn’t need to be pumped full of grease to fill up the internal slop of cheaper lenses of its day. It is so well made that it works with little or any lubrication, so it can work in temperature extremes and needs only a tiny flick to move the settings. Notice how it moves so easily, but that there is no play in any of the movement. - Source: Internet
• The AF-S NIKKOR 24-70mm f/2.8E ED VR has features that are superior to the characteristics that its famous predecessor possesses. Improvements have affected almost every aspect of this lens: speed, quality of image, control, consistency, durability, and optical stabilization. - Source: Internet
• The D750 is a full-frame camera, but it is also compatible with DX lenses. To ensure a trouble-free functioning of DX lenses when using them with the D750, enter the Image Area menu of your DSLR and configure the camera for the “Auto DX Crop” mode. By doing so, you can avoid unwanted vignetting. But you can also find many Nikon FX lenses for D750 on the market. - Source: Internet
• Excellent Lens! A truly versatile high-performance lens, the AF-S NIKKOR 35mm f/1.4G is the choice of pro and serious photographers for landscapes, night scenes, interiors, weddings, photojournalism, astrophotography and more. The 35mm focal length provides a natural angle of view, similar to the perception of the human eye. With an ultra-fast f/1.4 aperture, this lens will help you capture beautiful images with a shallow depth-of-field, even in the most challenging of lighting conditions. - Source: Internet
• So, if you are the lucky one who have already got the Nikon D780, the next thing is to find the best/right lenses for your Nikon D780 camera. In order to help you get a professional-like shot, here we list the top recommended and most suitable lenses for Nikon D780 DSLR camera including leading prime and zoom options from wide-angle to telephoto, which helps you choosing the exact lens of your demanding situation. You can just choose the one you need! - Source: Internet
• As we all know, Sigma 18-35mm f/1.8 is the best lens for architectural, interior and landscape photography. Also, AF-S NIKKOR 14-24mm f/2.8G ED and Tokina 12-24mm f/4 AT-X 124 AF Pro DX II offer great image quality. See the recommended wide-angle zoom lenses for Nikon D500, D7500, D7200, D5600, D5500, D3500, D3400 DX DSLRs and choose the one you like best. - Source: Internet
• This manual focus lens outperforms its newer 85mm f/1.4 D autofocus sibling. In fact, its so good that even after the f/1.4 autofocus lens came out, for about the about the same price, Nikon kept making these for 10 more years! - Source: Internet
• Nikon’s 10.5mm fisheye is small and compact. There’s no zoom–most (but not all) fisheye lenses don’t have zoom. - Source: Internet
• If you’re going to invest in a good camera like the D750, it pays to pair it with premium accessories — particularly complementary lenses. But with Nikon also offering a wide range of lenses, it’s easy to be overwhelmed with all of the choices. In this article, we shall list down the most highly recommended Nikon lenses that can help bring out the best in the D750. - Source: Internet
• We’ll be walking you through our round-up of the best lenses for the Nikon D750, covering a range of options for all kinds of photographers. Whether you need a macro lens that also shoots portraits, an ultra-wide lens for astro, or a general purpose zoom, we’ve got you covered. However, if you’re itching for something that doesn’t appear on our list, check out our best nikon lenses guide. For something with a bit of extra reach, be sure to see our guide to the best 150-600mm lenses. - Source: Internet
• If you’re after a shade more flexibility, there’s also the Tokina atx-i 11-20mm ƒ/2.8 CF (not to be confused with the Cinema version, which is a very different lens at a very different price point). It’s more expensive and also bigger and heavier. - Source: Internet
• If you want a really fast lens in an even smaller package than either of these, Nikon’s 20mm f/1.8G AF-S is a unique ultra-speed ultrawide. None of Sony, Canon, or Fuji make a lens this wide and fast; it’s also ideal for photographing the Milky Way. I bring my 20mm f/1.8 when I’m travelling light instead of the 16-35mm VR. - Source: Internet
• Hopefully, though, this list made things a bit easier for you. All the lenses above are excellent choices, and you really can’t go wrong with any of them (or a number of others that didn’t quite make the list). Above anything else, just pick one that intersects with your requirements, and don’t look back. The grass always seems greener, but at the end of the day, all of these lenses can be used to capture equally amazing photos. - Source: Internet
• As there are an absolute ton of wide angle lenses available that will mount to your Nikon d750, with some of them being a waste of time, we are hoping that our article will be able to help any of our readers looking to add some wide angle glass to their d750 accessories. In our opinion, there is no better option on the market right now than the Sigma 10-20mm f/3.5 and it is our primary recommendation for anyone in the market for a decent wide angle lens. - Source: Internet
• Its new AF-S NIKKOR 35mm f/1.4G is an update of one of Nikon’s most respected and popular NIKKOR lenses and combines a natural yet versatile 35mm perspective with an ultra-fast f/1.4 aperture. - Source: Internet
• Although convenient, super zoom lenses aren’t as strong optically as zoom lenses covering a shorter focal length, and this is reflected in their DxOMark scores. To keep them affordable and practical in terms of size and weight, super zoom lenses use a “slow” variable aperture such as f3.5-5.6, and their light transmission is poor, too, making them challenging to use in low light. - Source: Internet
• This lens is special because its sharp, even in the corners, even wide-open at f/1.4. It is worlds better than today’s 35mm f/1.4 (which is a manual focus lens made since 1969) or the manual focus 28mm f/2. - Source: Internet
• So where does this cost-saving occur exactly? Well, as with most third party lenses, build quality and mechanics are not quite on par with the big name brands. The Sigma 8-16mm f/4.5-5.6 DC has decent auto focus, but it can’t quite keep up with the Nikon and Canon equivalent wide angle lenses. - Source: Internet
• Wide-open at f/1.8 or f/2.8, this lens makes a fantastic nightscape photography lens. Stopped down to f/8 or f/11, it is one of the sharpest lenses you can get for traditional landscape photography. - Source: Internet
• As with most 50mm lenses, this one makes a very suitable prime portrait lens, although an 85mm lens would also make a great choice for a full-frame camera like the D750. Compared to the 35mm, which is another popular prime lens, the 50mm is much less expensive and lighter — an advantage if portability is one of your top priorities. It’s also much better in low light compared to the f/1.8 variant. - Source: Internet
• With the proprietary advanced technology extra AT-X, Tokina has established its mark as a reliable optical brand. There is a surge in demand for the inter-operability of optical accessories, which include cameras, lenses, flashlights, and tripod stands. Tokina has incorporated new in-demand features such as internal focusing, super-low dispersion glass, and aspherical elements in this compact and super-sleek lens. - Source: Internet
• If having a fast lens like the excellent Canon 16-35mm f/2.8L isn’t necessary for your type of photography(i.e. you always have enough daylight for a sharp shot), save your money and invest in the Canon 17-40mm f/4L instead. - Source: Internet
• Incidentally, unless you absolutely need an f/1.4 wide angle lens for its low light capabilities, I’d recommend you choose an f/1.8 or slower Canon wide angle lens. A larger aperture is beneficial for increased subject separation on longer lenses, but at wide angles, this separation is harder to achieve, and therefore less relevant. - Source: Internet
• Excellent Professional Portrait Lens! An ultimate portrait lens that offers attractive booked effect and precise focus is possible to achieve to focus on the pupils of subjects eyes while blurring the eyelashes. This Sigma 85mm f/1.4 Art lens achieved an impressive 93% overall score and Gold Award from the experts at DPReview. Ideal for professional photographers and discerning photography enthusiasts for portrait photography, low-light photography, night photography, landscape photography, photojournalism, events, and wedding photography. - Source: Internet
• Tamron SP 15-30mm f/2.8 Di VC USD ($1,199): Excellent lens, highly recommended! Superb image quality and performance! The Tamron SP 15-30mm f/2.8 Di VC USD offers great versatility in all photographic situations and it can deliver outstanding image quality throughout the entire range from corner to corner. And the f/2.8 maximum aperture performs well in low-light situations, and provides a shallow depth of field for selective focus. - Source: Internet
• Why You Should Buy Excellent all-round Nikon ultra wide angle lens. A great performing prime lens at a great value. Check Latest Price → - Source: Internet
• The latest generation of Sigma lenses that includes the Sigma 10-20mm f/3.5 offers some of the best high cross image quality too while also ensuring superior peripheral brightness during use for your Nikon d750. Depending on the type of wide angle photography niche that you are working in, this can be a god send and score the lens a ton of points over the contrast that the competing lenses on the market are able to offer you, especially for this price point on the market. - Source: Internet
• As a versatile Tokina lens with an aperture range of f2.8 to f22, you can expect consistant, unwavering brightness throughout its entire zoom range. This kind of reliability is part of what makes this lens such a great one to use on your Nikon camera body. - Source: Internet
• If you’re a daylight photographer who needs a small, lightweight and cheap wide angle lens for Canon, the Canon 10-18mm f/4.5-5.6 is by far the best choice on the market. - Source: Internet
• Best lenses for Nikon D750, Lenses play a great role in photography as they come in specific to the type of photography you are doing. There are various lenses according to the type of photography like a standard zoom lens, prime lens, bokeh prime lens, and many other types. All the types of lenses are included in this article below and with the best lenses available of the given types, i.e, best lenses for Nikon D750. - Source: Internet
• On the other hand, a lens with lower aperture number like f/1.4 has a much larger opening. This means that the lens can produce sharp, blur-free images even in low-light environments. - Source: Internet
• One thing all users agree upon though is that the Nikon 14-24mm f/2.8G is an incredible wide angle lens. It’s just whether it’s right for you or not. - Source: Internet
• Nikon’s kit lenses keep improving, and the 24-120mm is case in point. For about $500 more than the cost of the camera body alone, you get a versatile zoom lens with coverage from wide angle to medium telephoto. This lens is noticeably sharper than comparable zooms, has fast and accurate autofocus, and a respectable f/4 maximum aperture. All in all, the 24-120mm makes a great travel and walk-around lens for the Nikon D750. - Source: Internet
• We prefer Nikon lenses but find third-party lenses most beneficial when they cover a unique aperture or focal length range (or are just flat out cheaper than the Nikon options). Sigma’s relatively new “Art” series is a great example, which features a number of f/1.4 prime lenses that are much less expensive than comparable Nikon options. However, if you read the reviews closely you’ll notice a number of people have had issues with autofocus speed and accuracy. You can attempt to calibrate your third-party lens upon purchase, but that to us is a significant downside compared to buying Nikon lenses that rarely have such problems. - Source: Internet
• DSLR vs Z lenses. The Nikon D7500 is a DSLR (i.e., digital single-lens reflex) camera. Nikon SLRs and DSLRs have for decades used what’s known as an F-mount system to connect the lenses to the camera body. - Source: Internet
• Nikon’s D750 was a ground-breaking camera when it first came out and enjoys a large following to this day. It makes a strong case as a mid-range full-frame DSLR aimed at APS-C and four-thirds users looking for an upgrade. It performs exceptionally well in low light, excels at burst shooting, and can keep subjects in focus as well as any other camera in its class. The only thing that’s missing is a worthy lens to pair it with. - Source: Internet
• Why You Should Buy This excellent lens is compatible with Canon, Nikon, Pentax, Sony and of course Sigma dSLR cameras. This means that pretty much any dSLR camera owner can take advantage of this impressive and immensely popular ultra wide angle lens at an affordable price point. Check Latest Price → - Source: Internet
• As a DX lens, it’s ideal for use on a crop-sensor Nikon body. Its full-frame focal length equivalent for a 35mm sensor would be 16.5mm to 24mm. - Source: Internet
• You can use various lenses for these devices, but it is better to use the accessory suitable for their formats. DX camera equipped with a full-frame lens will produce the magnification of 1.5X. A full-frame camera with a DX lens will trim the picture to adjust it to the size of the sensor. - Source: Internet
• This rather new lens is impressive because it offers an f/2.8 aperture at its wide end, allowing it to do double-duty as both a traditional landscape photography lens and a slightly more exotic nightscape photography lens. It’s also one of the lightest, most compact full-frame lenses to offer f/2.8 on the wide end, for you astro-landscape shooters out there. - Source: Internet
• It’s big… it’s heavy… it’s expensive… but the Nikon 24mm f/1.4G is also often touted as the world’s best wide angle lens. It’s most definitely the best Nikon wide angle lens for prime shooters, and has been since its release in 2010. - Source: Internet
• This is a drawback of the Tokina 12-24mm, as you cannot capture good-quality close-ups with this lens. Its magnification ratio of 0.13x allows you to achieve a maximum focus distance of 30cm only. If you focus at this range, the sharpness significantly reduces, and there will be a noticeable softness at the edges. - Source: Internet
• Like the Z DX 16-50mm above, this lens stands out as an excellent optical performer, as sharp, if not sharper than 2016’s (but still current) 70-200/2.8 FLE and sharper than the fully professional 70-200/2.8 VR II, and it’s lightweight, collapses for travel, focuses super fast and close, and sells for next to nothing. - Source: Internet
• So, as you can see, it’s an extremely close race. If you want an f/2.8 wide-angle zoom, you can’t go wrong with any of the ones so far – or the next lens below. - Source: Internet
• The Sigma 20mm F1.4 Art is a great travel lens for D750 that delivers a wide-angle view. It is meant for full-frame DSLR but will be also a great accessory for APS-C cameras. The lens features the widest possible f/1.4 aperture that ensures extra-bright images and makes this model the best lens for Nikon D750 from the start. - Source: Internet
• The great thing about a lens that is 12 years old is that you can find them very affordably if you shop used or refurbished. The advantage of buying a tried-and-true lens is, you know you’re adding a durable, trustworthy piece to your kit. The Nikon 14-24mm f/2.8 is weather-sealed, and (mostly) metal. - Source: Internet
• The zoom and focus are supposed to be loose and slippery. This was the sports and action lens of its day. No one was silly enough to shoot zooms on tripods pointed down, so creep wasn’t the issue. - Source: Internet
• Sigma 120-300mm f/2.8 DG OS HSM ($3,399): Perfect Lens! This lens is the first lens designed under Sigma’s new Sports line of lenses, making it well-suited for fast-moving subjects such as wildlife, nature, aviation, racing, and other similar situations. Featuring a dust- and splash-proof construction, this lens is ideally-suited for use in outdoor and adverse conditions. The Hyper Sonic AF Motor provides fast, smooth, and quiet auto focusing for faster performance that also benefits video recording. - Source: Internet
• Vignetting is also only noticeable if the lens is set to 12mm with an 8mm thick polarizer. Tokina advises its users to use a slim-mount to reduce this type of vignetting. It is also recommended to use one filter at a time to avoid darkening at the corners of the image. - Source: Internet
• The lens’s overall design is quite modern and durable with multi-coating of lens glass and enhanced thin lubrication of the moveable components. The lens features 9 aperture diaphragm blades that allow you to capture photographs of the subject placed at the closest distance of 0.30m. If you love to capture wide-angle photos with a diagonal view ranging from 61 to 99 degrees, Tokina 12-24mm is a good choice. - Source: Internet
• Tamron SP 90mm f/2.8 Di VC USD Macro ($649): Incredible lens! “Very sharp, auto focuses quickly and quietly, and shows very little noticeable chromatic aberration, much less any distortion at typical apertures”. Offering a life-size maximum magnification ratio of 1:1, this lens benefits working with small and nearby subjects and employs a Floating System for maintained image quality throughout the 11.8″ to infinity focusing range. - Source: Internet
• The Canon 24mm f/1.4L II is Canon’s best prime wide angle lens available today. It’s also Canon’s widest angle lens with an aperture greater than f/2.8. If you need a Canon wide angle lens that lets in as much light as possible, there really only is one option. - Source: Internet
• The Canon 16-35mm f/2.8 L II has been a staple for many working pros for several years now and it’s easy to see why. Solid construction, fast focusing, a versatile focal range and sharp image reproduction combines to create a lens that is for many zoom lens shooters the best wide angle lens for Canon cameras. - Source: Internet
• You can capture photographs, even in low lighting. This lens can maintain a constant aperture of f4 throughout its focal range. The Tokin 12-24mm lens has a refined look with sturdy build quality. The lens is sleek and equipped with standard optical components like SD glass-type and sharp-cut aspherical lenses. This lens comes at an affordable price, keeping in view the features it provides. - Source: Internet
• The zoom rings are 14mm wide and can rotate up to 60-degrees in the clockwise direction. The zooming mechanism is internal. So, the zoom lens doesn’t move outside the lens body, keeping the lens length intact. - Source: Internet
• The front side of the lens is of a larger diameter as compared to the rear side, so it can be managed easily on bigger cameras like the Nikon D3500. You can easily use the in-built flash for a distance of up to 18mm. After that, the flash may cause dark corners and light shadows on the image. - Source: Internet
• If you’d rather have a faster aperture than an extreme wide-angle, go with this Tokina DX option lens instead. The f/2 aperture makes it an amazing astro/nightscape photography lens. It also accepts 82mm filters and is decently affordable and portable. - Source: Internet
• The Tamron SP 70-200mm f/2.8 Di VC USD wins with a DxOMark score of 30 points, just ahead of the Sigma 120-300mm f/2.8 DG OS HSM S with 29 points. It’s very close between these two lenses for all lens metric scores, with the Sigma just ahead in most categories, including sharpness. - Source: Internet
• This is the newest landscape photography lens in Nikon’s lineup, made only for the new Z mount FX mirrorless cameras. Although it is an f/4 zoom instead of an f/2.8 zoom, it poses an exciting new option for Nikon landscape photographers: it’s the first 14mm ultra-wide zoom that is extremely portable and accepts standard 82mm filters! - Source: Internet
• 17-40mm is actually a popular walkaround wide angle lens option for both hobbyists and professionals alike. 17mm can handle the tightest of spaces and 40mm isn’t bad even for portraits. f/4 won’t be creating any jaw-dropping bokeh, but subject separation isn’t a forte for wide angle lenses in general anyway. - Source: Internet
• See the Nikon NIKKOR 300mm f/2.8 ED-IF review, and the History of Nikon 300mm f/2.8 lenses. - Source: Internet
• For this to be the cheapest wide angle lens for Canon, a few corners had to be cut in the build, which uses plastic in the place of metal. However, as long as you look after the Canon 10-18mm f/4.5-5.6 and keep it out of extreme weather conditions (since there’s no weather proofing), it’ll serve you well for many years. - Source: Internet
• The Canon 28mm f/1.8 USM has over 200 positive customer reviews on Amazon and for good reason. It’s a cheap Canon wide angle lens that offers a highly useable perspective in a small, lightweight package that feels and looks great attached to your camera. - Source: Internet
• A 35mm lens on a full frame camera (one with a 35mm sensor) will offer a true 35mm field of view, whereas the same lens attached to a crop sensor camera (APS-C, MFT) would offer an approximate 50mm field of view i.e. it would no longer be considered a wide angle lens. - Source: Internet
• However, I still stick to my recommendation of the Nikon 10-24mm f/3.5-4.5 on this best wide angle lens roundup. The focal range in my opinion is more useful than 11-16 (which seems a little short), plus the Nikon is sharper wide open, and becomes even sharper when stopped down to f/5.6-8. - Source: Internet
• Every FX Nikon landscape photographer should have such a versatile, compact lens in their bag. In fact, this lens even makes a great 2nd addition to your bag even if you already have an enormous, heavy ultra-wide zooms. You may want its easy access to 77mm filters, too. - Source: Internet
• When it was released in 2016, the Nikon D750 was a bit of a game-changer. Rather surprisingly, it outperformed many of Nikon’s other full-frame DSLRs when it came to low-light shooting. It was, and still is, an affordable way into the FX full-frame DSLR line-up and brings with it compatibility with a whole host of FX lenses. - Source: Internet
• Tokina introduced AT-X (advanced technology extra), which ensures premium quality lenses are manufactured with an advanced fabrication system. A good-quality lens can only be produced if the manufacturing equipment is up to date. Tokina ensures end-to-end quality starting from the lens design, fabrication, and the optical system support mechanism. - Source: Internet
• The Canon 16-35mm f/2.8 L II replaces the first version of this classic Canon wide angle lens, bringing with it a sharper image when shot wide open at f/2.8, which is where the majority of its users will no doubt be shooting. - Source: Internet
• As a result, the photographers got one of the most versatile and powerful lenses for Nikon D750. This model features a permanent f/2.8 maximum aperture, as well as the electromagnetic aperture mechanism. - Source: Internet
• The actual lens mount is made from cast metal too and although this is to be expected at this price point in the market, a number of brands are starting to try and get away with using plastic lens mounts again to reduce their costs. Thankfully though, Sigma are not one of them as the plastic lens mounts usually end up warping in shape over time and can potentially result in the lens getting stuck to your Nikon d750 but this is not an issue with the Sigma 10-20mm f/3.5. - Source: Internet
• The Tamron SP 85mm F/1.8 is the world’s first 85mm lens with a fast aperture and optical stabilization feature. Its bright optical viewfinder ensures great performance in poorly lit places. - Source: Internet
• But first I want to clarify what these recommendations are and aren’t. I’m not trying to provide a laundry list of every wide-angle lens that’s compatible with the Nikon D35600. Nor am I going to recommend super-expensive lenses that, while they’ll work well, aren’t a logical pairing with the Nikon D7500. I’m also emphasizing autofocus lenses here–there are plenty of good older and manual-focus lenses as well, and that’s not my focus here. - Source: Internet
• Sigma are definitely up there when it comes to innovating for both the build quality and design of their lenses ensuring that they are able to offer their customers the best lenses possible to capture excellent image quality every time. The Sigma 10-20mm f/3.5 is no different and although the lens only has an intermediate price tag, it offers you some features that are usually only seen on professional level camera lenses. - Source: Internet
• If you want a cheap wide angle lens for your Nikon or Canon dSLR, the Tokina 11-16mm f/2.8 AT II is one of the best options available. As well as its fixed, fast aperture of f/2.8, it’s also sharp, well-built and a lot of fun to use. - Source: Internet
• It is a wide angle lens for Nikon D750 for shooting nature, sporting events, landmarks or other distant objects. The lens has a super-fast f/5.6 constant aperture that allows you to create a blurry background effect across the whole zoom range. - Source: Internet
• Its optical design integrates ED glass that prevents chromatic distortion throughout the entire zoom range. Use this powerful lens with Nikon full-frame DSLR and you will get spectacular photos of the premium quality. This wide angle lens for Nikon D750 will bring your shooting experience to a new level. - Source: Internet
• Nikon 200-500mm f/5.6E ED VR ($1,397): Lightweight, compact super telephoto zoom! The Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR is an exhilarating lens option, giving enthusiast FX and DX-format photographers the ability to go further with amazing zoom power and tack-sharp clarity. This compact super-telephoto zoom is ideal for bringing distant subjects closer, including birds, sports, wildlife and motorsports. - Source: Internet
• If you’re thinking about stepping your toes into the wide angle waters and need a lens that can be used in low light, the Sigma 24mm f/1.4 ART really does deliver the best bang for the buck out of all the wide angle lens offerings. Amongst the third party wide angle lenses, this is the best wide angle lens available today. - Source: Internet
• I took this in Luang Prabang, Laos, with a Sigma 10-20mm wide-angle lens. The portico was relatively shallow, meaning I wasn’t able to stand much further back. But the ultra-wide-angle perspective let me fit in the whole of this impressively decorated entrance to a temple (or Wat). - Source: Internet
• Nikon 24-70mm f/2.8E ED VR ($2,397): Highly recommended! This lens’ versatility and image quality has made it an essential workhorse lens for every type of shooter. The Nikon 24-70mm f/2.8E ED VR improves upon nearly every aspect of its acclaimed predecessor sharpness, speed, consistency, control and durability plus Vibration Reduction image stabilization technology and the results are stunning. From studio work to field assignments, environmental to events, stills to HD video, when chasing the decisive moment, you’ll always know which lens to grab. - Source: Internet
• The main difference between zoom and prime lenses is that the later has a fixed focal length, which is also a perspective. By moving in or out, you can reduce or enlarge the perspective. Zoom lenses will enable you to modify the perspective according to the zoom range. - Source: Internet
• This has been one of Sigma’s very popular lenses for a long time. And for good reason. It was one of the first lenses to bring in a super-wide focal length at very competitive pricing. It’s small and compact and well built. - Source: Internet
• The aspherical lens elements on the Sigma 10-20mm f/3.5 also reduces chromatic aberration from occurring when capturing your photographs or video footage as well as ensuring you get perfectly balanced coma too. Although this will depend on the niche that you are working in as well as what you are actually planning on doing with your camera lens, this can really help to push the Sigma 10-20mm f/3.5 out ahead of the pack for your Nikon d750. - Source: Internet
• The Nikon AF-S DX 10-24mm f/3.5-4.5G pairs excellently with a 24-70mm and a 70-200mm lens kit. - Source: Internet

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Video | Best Wide Angle Lens For Nikon D750

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